Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

The Pop of Punk

Share

  • rss

By Brad Tyer

Published on March 10, 1994

Iggy Pop isn't like you and me. You can tell by the way he croons "I'm so fuckin' alone" on track eight of American Caesar: he knows things that we don't understand yet. He's eaten and starved and fucked and been fucked over and lived and not necessarily learned, and some instinct within him insists that he put it all down in a pop song that will break your heart and bruise your face and, if you don't watch out, lead you into thinking you ought to be living your life a lot more like he does. But you can't. Get it? Because Iggy Pop is a highly evolved form. And if you don't like to place music in a hierarchy like that, then you can take your punk rock and your alternative youth movement and your democratization-of-art pop sociology and plant 'em between your grassy knolls, because Iggy's more punk than you, too.

I'm still not keen on Pop's balladry ("Fuckin' Alone," for instance, sounds awful close to what happens when Anthony Kiedis tries to sing until it eventually goes beyond awful into the genius zone), but I'll take it when it comes sandwiched in the sort of blood-and-muscle rock and roll Pop's writing these days. "Wild America," with guest vocal by Henry Rollins, ranks in my book with vintage Stooges. "Jealousy" sounds like it might be about Pop's old buddy David Bowie, and it sounds like he squeezed the song out through clenched teeth. "Hate," "Boogie Boy," I could just list them all. Long album. Low on filler. Goddamn if the old boy isn't singing the stuff these ears want to hear.

'Course, if there's a truism to be spoken about Iggy Pop, it's that while what he does on albums is strong, what he does live is simply more. I don't think I've met the woman who hasn't fantasized about Pop's bare-chested stage prowl, and I don't think I've met the man who really blames her, and if Pop's band can reproduce the ragged glory that comes charging out of the disk, this show will be worth twice whatever you might pay for it.

-- Brad Tyer

Iggy Pop plays at 8 p.m. Sunday, March 13, at Numbers, 300 Westheimer, 629-3700. $16. Chainsaw Kittens open.

Also Recommended:
* Andy Summers and John Ethridge at Rockefeller's Thursday, March 10
* Brave Combo at the Satellite, Friday, March 11
* Jawbreaker at the Shimmy Shack, Sunday, March 13

* Junior Brown at Rockefeller's, Tuesday, March 15