By Jef With One F
By Rocks Off
By Chris Lane
By Angelica Leicht
By Corey Deiterman
By Angelica Leicht
By Corey Deiterman
It was at this point that the topic of '80s for AIDS -- an event held in December 1993 that featured local bands covering '80s hit songs -- came into play. Part of the reason was that Sweeney and SkYess remembered the event as being a lot of fun. Another reason was that a benefit made it easier to gather together the number of bands that would be needed to make Queen for a Day an occasion to remember. And if the show was to be a benefit, then AIDS seemed the obvious beneficiary, given that Queen's lead singer, Freddie Mercury, had died of AIDS-related complications in 1991.
That same night, Sweeney and SkYess even determined where they wanted to hold their concert: Mary Jane's. The club on Washington Avenue and its owner, Toby Blunt, had always treated Willis well, and since benefits tend to bring good business, they thought they'd return the favor.
All that remained was actually organizing the whole thing. Ideas are always easier than reality, and when the notion got to the point of becoming action it became obvious that Queen for a Day would have to be handed off to someone else. For one thing, SkYess had developed plans to move to New York City. For another thing, Willis, as a result, would be disbanding.
Still, the concept of honoring the creative forces behind "We Are the Champions," "Bohemian Rhapsody" and other onetime radio staples was too intriguing, and goofy, to let go. So Sweeney and SkYess looked for someone to pass the benefit off to; the logical choice was Diane Koistinen, the woman behind '80s for AIDS and also, as it happens, the vocalist for de Schmog, another band that Sweeney was (and still is) involved with.
'80s for AIDS had a similar origin to Queen for a Day in that it wasn't initially a benefit -- Koistinen describes it as "kind of a dream for all these bands that wanted to do all those cheesy songs." The '80s tribute became a benefit when it became clear that the easiest way to deal with the money generated by the event was to give it away, as opposed to trying to figure out how to divvy it up between the numerous bands involved. The AIDS angle came about because Koistinen, in her career as a professional hairstylist, had worked with AIDS charities. A Friday night all-ages event held at Numbers, '80s for AIDS drew an audience of about 1,000 (mostly kids who weren't even familiar with the songs that were being spoofed or honored) and raised more than $7,000 for AIDS Foundation Houston's food pantry.
While '80s for AIDS was done on a grand scale that required months of planning, Queen for a Day has, from the beginning, been a much smaller operation. Its location, Mary Jane's, can only accommodate around 175 people (not counting the bands involved); it's not an all ages event; and the date that Toby Blunt felt would be fitting for the event, Mother's Day, occurs on a Sunday, when clubs generally do little business.
As was the case with '80s for AIDS, Koistinen chose Queen for a Day's lineup, this time selecting personal favorites and friends to ensure that the event is "as smooth and as fun as possible." While some invited bands -- such as Poor Dumb Bastards -- couldn't join up because of scheduling conflicts, those that could make the event were quick to sign on, given fond memories from '80s for AIDS, and, in some cases, a Queen fetish. Twelve bands committed: Bleachbath, de Schmog, Dry Nod, The Jinkies, Keenlies, Linus Pauling Quartet, Peglegasus, Rugrash, Rusted Shut, Sad Pygmy, Sasquatch 2000 and Smile 69. The songs were handed out on a first come, first grab basis. Some bands made their Queen choices when Koistinen contacted them; the remainder rummaged through the Queen catalog at an organizational meeting held at Mary Jane's in late April.
The bands were quick to discover that performing Queen songs is not an easy task. Besides the complexity of the arrangements, there's the obvious problem of matching the range of Mercury's vocals. "It would be blasphemy to say that anyone would dare actually cover Queen," exclaims Ramone Medina of Linus Pauling Quartet, who takes some time off of work at Half Price Books to point out that "the thing about Queen is that their stuff is so cheesy that it lends itself to being abused ... you don't have to actually sit there and go, 'I have to do a serious version of this.'"
Indeed, even though some of the bands are being schooled by Roberto Cofresi -- Dry Nod's vocalist/guitarist, as well as resident Queen expert and self-proclaimed "Music Coordinator" for Queen for a Day -- the performances at the benefit will probably be more interpretations than covers. For instance, Houston's loud-is-good rockers Rusted Shut will be fusing Queen's "We Will Rock You" with their own "Kill, Kill, Kill" to form "We Will Kill You." Besides song variations, some of the bands involved will feature guest performances, such as Joint Chief's vocalist Jay Maulsby harmonizing with The Jinkies on "Bohemian Rhapsody," and the long-defunct Sprawl's Jeff Nunnally and Clay Embry joining up with de Schmog on "Crazy Little Thing Called Love."