By Jef With One F
By Rocks Off
By Chris Lane
By Angelica Leicht
By Corey Deiterman
By Angelica Leicht
By Corey Deiterman
Etheridge has been riding a wave of good fortune lately, but it's the kind that is long overdue. Her most recent album, Yes I Am, has sold some three million copies since its release in September 1993, and she's currently on the second leg of a tour that brings her to Houston on Sunday. Since she wrapped up the first portion of her tour last December, Etheridge has maintained high visibility through the likes of VH1 (the video network is sponsoring this tour), and part of the reason she's back on the road can be attributed to popular demand. After years of being a staple on rock radio stations, Etheridge is now knocking on the door of mainstream pop stardom.
This current concert tour is a bit unusual, considering that Etheridge was on the road for most of 1994. Yes I Am didn't really begin to take off until last summer, when VH1 started giving her videos more airplay, and so much of the country may have missed her the first time around. As fickle as the music business can be, it's best to strike while the iron is hot, and Etheridge is certainly on fire right now. (She was even featured on the cover of a recent issue of Rolling Stone.) When this tour is completed in mid-July, it's back to the studio to put the finishing touches on a new album, which should be out by the end of this year.
It has been a slow, steady climb up the ladder of success for Etheridge, who was born in 1961 and grew up in Leavenworth, Kansas. She started playing the guitar when she was eight years old, won a talent contest at age 11 and began playing bars and clubs around her hometown by the time she was 13. She spent a brief time at the Berklee College of Music in Boston after she graduated from high school, but believed that she couldn't make it in the music business unless she lived in California. So in 1982 she made the move, playing small clubs in Long Beach until she was discovered by Island Records founder Chris Blackwell in 1986. Her eponymous debut disc, containing the album-rock favorites "Like the Way I Do" and "Bring Me Some Water," was released in 1988, and her career received a tremendous boost when she was asked to perform at the 1989 Grammy Awards. She followed that up with the release of her second album, Brave and Crazy, later in 1989.
Etheridge's first two albums were moderately successful, but she was often criticized for being a one-dimensional songwriter. Many of the songs on the first album dealt with the heartache and jealousy brought on by a series of failed relationships, and the trend continued on Brave and Crazy with songs such as "No Souvenirs" and "Let Me Go." She tried to appease the masses more with her third effort, 1992's Never Enough, which featured more mainstream, Top 40-type material, but that album didn't fare very well. (Ironically, though, it was Never Enough that won Etheridge her first Grammy Award.) With Yes I Am, Etheridge has shown a maturation both lyrically and musically, and it's this disc that has launched her toward the realm of rock and roll heavyweights.
Although Etheridge had been gaining a steady and loyal following since the release of her debut album, 1994 was unquestionably her breakout year. Among the highlights:
* She scored her first Top Ten pop hit with "Come to My Window," for which she also earned her second Grammy, for Best Rock Female Performance.
* She opened a series of shows during the Eagles' summer reunion tour.
* She performed at Woodstock '94 in August and then was invited to the White House to meet the first family.
* She was featured in a cover story in The Advocate, a national gay and lesbian magazine, in which she was billed as "Rock's Great Dyke Hope."
It seems that last year would be difficult to top, but so far, 1995 has been more of the same for Etheridge. In January, she inducted Janis Joplin into the Rock and Roll Hall of Fame, and in February, she taped an episode of MTV Unplugged on which she lived out a dream by performing "Thunder Road" with her idol, Bruce Springsteen. Entertainment Weekly touted the ascension of Etheridge as the "female Springsteen" in a story titled "Meet the New Boss." (These days, though, it's hard to tell who's influencing whom: sharp observers will notice that the cover of Springsteen's recent Greatest Hits CD is virtually identical to Etheridge's Never Enough cover.)