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Good-bye to Summer

What this year's movies portend for next year

Hits and Misses: Despite glowing reviews and great word of mouth, John Sayles' terrific Lone Star has not yet managed to emerge from the art-house ghetto. To date, it has grossed $8 million -- a tidy sum when compared to other Sayles movies, but a pittance when set against ticket sales for more conventional releases. By comparison, Harriet the Spy, a movie deemed a box-office disappointment, has made $25.7 million, while Flipper -- also known as Flopper -- has a $30 million worldwide gross to its credit. (Both of these family-oriented movies should make even bigger bucks on home video.) Maybe a few Oscar nominations will elevate the visibility of Sayles' masterwork. By the time the nominations are announced, however, Lone Star likely will be playing at a video store near you.

Other notable summer releases that failed to attract the audiences they deserved: Dragonheart, Multiplicity, Matilda and The Phantom. On the art-house circuit, the cuddly Walking and Talking has been a box-office fizzle, and even Robert Altman's Kansas City has opened to general indifference. Maybe what these movies needed was a tornado or two. Or, at the very least, a flying saucer the size of Cleveland. Independence Day is a great deal of fun, and even Twister can be enjoyed as a wild roller coaster ride. But I would hate to think that, next summer, we will see nothing but natural disasters and alien invaders at our friendly neighborhood multiplexes.

Signs of Intelligent Life: A Time to Kill is making money. So is Tin Cup. By art-house standards, the audacious Trainspotting is a modest hit. Eddie Murphy revealed a comic genius undiminished by recent box-office humiliations in The Nutty Professor. Denzel Washington made an early bid for Oscar gold with Courage Under Fire. Gwyneth Paltrow proved she's worth the hype in Emma. And a ridiculously young Alain Delon managed to chill and charm with equal ease in the re-issue of Purple Noon. Meanwhile, audiences firmly rejected House Arrest, Bordello of Blood, Chain Reaction and a dozen or so other disasters too painful to remember. So, see: the news isn't all bad. Maybe it was a swell summer after all.

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Box Office

  1. Star Trek Into Darkness, 70.2 mil, 83.7 mil
  2. Iron Man 3, 35.8 mil, 337.7 mil
  3. The Great Gatsby, 23.9 mil, 90.7 mil
  4. Pain & Gain, 3.2 mil, 46.7 mil
  5. The Croods, 3.0 mil, 177.0 mil
  6. 42, 2.8 mil, 88.8 mil
  7. Oblivion, 2.3 mil, 85.6 mil
  8. Mud, 2.2 mil, 11.7 mil
  9. Peeples, 2.2 mil, 7.9 mil
  10. The Big Wedding, 1.2 mil, 20.3 mil
Movie Title, Weekly Earnings, Total Earnings
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