Outspoken L.A. interdisciplinary artist Elia Arce and Houston performer Liz Mullings transform a narrow and extremely personal theme -- the plight of Latina women stricken with the HIV virus, as they both are -- into universalist creed with their collaboration Al Rojo Vivo ("Bare Bones"), a multimedia work drawing on text, movement and visuals. Arce's previous piece, the heralded No Le Digas a Nadie ("Don't Tell Anybody"), was more or less an exercise in primal-scream therapy decrying what the dual citizen of the U.S. and Costa Rica considers indifference toward and racist/sexist stigmatization of "HIV + Latinas" by the medical fraternity. Al Rojo Vivo, though imbued with the same sort of passionate anger, is a quieter, more contemplative offering in which Arce and Mullings "explore the images and voices present in their daily and nocturnal dreams." 8 tonight (Spanish); 8 p.m. Saturday (English); 7 p.m. Sunday (Spanglish). DiverseWorks, 1117 East Freeway, 223-8346. More info: 228-0914. $7; $5 for students, seniors and the disabled.
God, it's good to hear songs about real feelings and stuff again from people without receding hairlines and expanding waistlines. And though Davey von Bohlen and the rest of the youngbloods in the Milwaukee band The Promise Ring have distanced themselves from the Emo movement, their songs still resonate with refreshing conviction, passion and charm. The Ring's on the road in support of its second disc, Nothing Feels Good; bassist Tim Burton has been replaced by Scott Schoenbeck (Alligator Gun) for this tour -- perhaps permanently -- because of injuries sustained in the band's February van flip on a Nebraska ice patch. Jimmy Eat World, P.E.E., Juno and Trackstar share the stage. 8 p.m. Fitzgerald's, 2706 White Oak, 862-7580. $7.
The Orange Show, that exotic architectural amalgamation celebrating the title hue/fruit and the whimsical Weltanschauung of its creator, late postman and odd duck Jeff McKissack, is one of Houston's more curious and beloved attractions. And the Orange Show Trophy Workshop is one of the facility's more popular participatory events. The statuesque products of the hands-on session -- created using absurdist media like "plastic spiders, doll heads and glow-in-the-dark fish" -- will be awarded to the owners of the winning entries in April 18's Art Car Parade. Noon to 4 p.m. 2401 Munger, 926-6368. $1; free for kids under 12.
For a short time in the '80s, Steve Earle looked like he could be country-rock's new messiah, but then he started acting out some of the seedier aspects of the lifestyle he'd glorified on his twin gems Guitar Town (1986) and Exit 0 (1987), culminating in a 1994 conviction for crack possession. Dried out and sobered up, he returned to the studio in '95 after a four-year hiatus to make the acoustic Train a Comin'. It earned him another shot at the majors (with Warner Bros.), and the soul-scarred neo-country godhead has made the most of his second coming with I Feel Alright (1996) and his latest, El Corazon -- a pair of discs that rivals Guitar Town and Exit 0 for sheer songwriting power and courage. It would take more space than we have here to detail the high notes of the new album -- dedicated to incomparable songsmith Townes Van Zandt, the late Texas poet lariat (if you will) -- but there's blood on the tracks of El Corazon. Our favorite moments include the grungy, wind-tunnel rocker "N.Y.C.," the old-timey "The Other Side of Town" (which, with its keening steel guitar and deliberate pops, scratches and aural pings, sounds like a vintage Webb Pierce side that's been gathering dust motes and mouse droppings in the back of a broom closet) and the elegiac closer, "Ft. Worth Blues," a devastating piece of travelin' blues that includes the truism "Houston really ain't that bad a town" and sounds as if it were ripped right out of Earle's chest. Wow. Buddy and Julie Miller open. 8 p.m. Aerial Theater at Bayou Place, 520 Texas, 230-1600. $15 to $25 (Ticketmaster: 629-3700).
Though it's not an arts summit on the scale of the tripartite effort made by the Menil Collection, the Contemporary Arts Museum and the Museum of Fine Arts to bring "Robert Rauschenberg: A Retrospective" to town, Inprint's "The Play's the Thing: Three Playwrights & Their Work" is impressive in its own right. Co-sponsored by the Alley Theatre, Stages Repertory Theatre and the Ensemble Theatre, the series includes live appearances by Edward Albee, Horton Foote and Ntozake Shange, three significant figures of modern American stagecraft. It opens with Albee, three-time Pulitzer-winner for A Delicate Balance, Seascape and Three Tall Women and theater professor at the University of Houston. Albee will be interviewed by Ted Estess of UH; he'll also read from his works and field questions from the audience. Each series entry is at a different venue; tonight's starts at 8 at Stages, 3201 Allen Parkway. (Foote is scheduled April 6 at the Alley, Shange April 27 at the Ensemble.) Info: 521-2026, 52-STAGES. $10 to $15 for single tickets; $25 to $40 for a series pass.