Though both were born in Houston and consider themselves "visual diarists," the dual exhibitors of "In Situ: Responses from Charles Mary Kubricht and Ann Stautberg" were unaware of one another -- and of the striking parallelism of their techniques -- prior to teaming up for this show. Both women use photography as a central medium, but augment their stills with paint; also, each keys on the subjects of place and space, origin and memory (thus "In Situ"). Kubricht wields her camera as a recording device, but paints, she says, "to remember"; she adds "memories of what was heard, smelled or felt" in rich veins of color that are applied by hand. Stautberg's large-scale black-and-white images of the Gulf Coast achieve hyperreality -- and a lush sensuality -- via a similar application of translucent oils. The installation opens with a reception from 5:30 to 7:30 this evening and continues through August 23. Regular viewing hours are 9 a.m. to 5 p.m. daily. The Glassell School of Art, 5101 Montrose, 639-7500. Free.
You might call Mark Plotkin the floral Indiana Jones. The American medicine man/ethnobotanist was schooled at Harvard and Yale, works for the Smithsonian Institution and writes best-selling books such as Tales of a Shaman's Apprentice when he's not rooting around in exotic locales in search of green gold: plants with the power to heal. IMAX staple director Kieth Merrill (Yellowstone, The Great American Cowboy) followed Plotkin and a native shaman, Julio Mamani of Bolivia's Callawaya tribe, on a journey down the world's greatest river in the Oscar-nominated Amazon. The movie's both an adventure tale and a filmic call for rain-forest preservation. Says Plotkin, "[Amazon] has the potential to be the most important tool ever created to communicate to people the magic, the science, the adventure, the poetry and the medicinal potential that is the Amazon rain forest." The movie opens today and continues through January 31, 1999. The Houston Museum of Natural Science, 1 Hermann Circle Drive in Hermann Park, 639-IMAX. $6; $3.50 for kids under 12 and seniors.
Houston-based Ntozake Shange is better known for writing than performing, but she conceived and stars in Ellington Is Not a Street, a Duke Ellington tribute that also features percussionist Kahil El-Zabar. Don't expect "Satin Doll"; in her singular voice, Shange describes the piece as an "exploration of the unconscious, lyrical and violent experiences of multiple voices in the new world, with sound/fresh languages, movement and music creating critical unseen, existential ellipses of art history." Eh? Ellington's the final entry in the Houston Fringe Theater Festival. 8 tonight and Saturday; 4 p.m. Sunday. Theater LaB Houston, 1706 Alamo, 868-7516. $20.
George Holz's "Original Sin" is a photo exhibit underwritten by a Mexican liquor: Tres Generaciones Tequila Sauza. Holz made his mark shooting fashion plates and celebrity portraits for Vogue, Elle and Vanity Fair, and "Original Sin" is not unlike one of those mags' slick perfume ads. It's a carnal, steamy, occasionally breathtaking collection of platinum prints that reworks the Adam and Eve myth -- and relocates it to Tequila, Mexico. Two nude models (they're actually brother and sister) romp around the Sierra Madre foothills (a.k.a. the Garden of Eden) and frolic on enormous mounds of agave husks (the plant's the central ingredient in tequila manufacturing). Catchy, but is it art? Well, the works are quite fine -- and they'd look superb above a sectional sofa. "Art's art," muses Houston's John Cleary, whose gallery is hosting the touring show. "And this is the kind of contemporary art that young professionals want in their living rooms: cutting-edge themes, glamour." And booze and sex. There'll be plenty of the former at this evening's opening reception; the "superpremium" Mexican tequila will be flowing like wine. Holz and the "Original Sin" models are scheduled to attend the reception, scheduled for 6 to 8 and held in conjunction with the Houston Art Dealers Association's "Introductions '98" mass opening (see page 54). "Sin" continues through August 4; regular hours are 10 a.m. to 5:30 p.m. Tuesdays through Saturdays. John Cleary Gallery, 2635 Colquitt, 524-5070. Free.
"Merchant Ivory" is neither a designer bath soap nor a guy who makes period films. Rather, it's two guys who make period films: India native Ismail Merchant (who usually produces) and Oregon-born James Ivory (who typically directs). Merchant and Ivory have collaborated on more than 40 films in 35 years; while the movies have differed in the details, all bear the unmistakable M/I signature: a mingling of lush style, literary substance and noisily clashing cultures. The touring series "Views of Merchant Ivory: Across Three Continents" offers a broad overview of the M/I oeuvre. It opens with twin double features: Shakespeare Wallah (1965) and The Householder (1963) at 7:30 tonight and In Custody (1993) and Heat and Dust (1983) at 5 p.m. Sunday. The series continues through July 26. The Museum of Fine Arts, 1001 Bissonnet. Info: 639-7515. $6; $5 for one film only.
The world's original art cars are displayed in Lowrider Magazine's '98 Caliente Tour, a how-low-can-you-go show of autos and trucks that's supplemented by a bikini contest, a male hard-body competition and live entertainment in the key of hip-hop. 11 a.m. to 5 p.m. The AstroArena, 8400 Kirby, 799-9500. $18.
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