Reconstructing Brian

The troubled creative light behind the Beach Boys salvages himself and -- to an extent -- his music

But Wilson isn't completely ignoring his past. Imagination has two Beach Boys covers: the graduation-day hymn "Keep an Eye on Summer," originally written in 1962, and the classic "Let Him Run Wild," which Wilson rerecorded because the vocals on the original were, he says, "too girlish and whiny." Those were the only older songs he was interested in revisiting. Indeed, Wilson says he won't listen to Beach Boys songs today.

"If I ever have a radio, I play the oldies-but-goodies stations," he says. "I don't really play it too much though. I don't really like to wallow in the mire. I never play the Beach Boys stuff in my house. Never, never play our stuff. Because I think that if you do that, it's like sitting around masturbating all over your own stuff. [He makes a jerking-off motion with his fist.] We're great, we're great. Skip that, you know?"

In the last year, Wilson lost both his mother, Audree, and his brother Carl, the guitarist behind the Beach Boys' early surf-rock hits and the lead singer on perhaps Wilson's most touching and beautifully crafted ballad, "God Only Knows." Written in a similar vein, the ballad "Lay Down Burden" addresses Carl's battle with lung cancer. Wilson declines to speak about him, except to express sadness that Carl won't be a part of the remaining Beach Boys. Wilson's emotional energies are focused instead on his two adopted daughters, 19-month-old Daria and six-month-old Delanie. (Singers Carnie and Wendy, the biological daughters from Wilson's first marriage, were handed over to the custody of his first wife, Marilyn, after the couple's divorce in the '70s.) Melinda Wilson notes that in light of Brian's drug- and Landy-polluted past, a number of doctors and associates "had to go to bat" to prove that Brian is a man fit to adopt children. "I'm still okay," Wilson says. "I'm still able to function and talk and carry on. After all I've been through, this would have to be bordering on a miracle. It would have to be a miracle that I could still be around."

It's something that he'd like to write a song about: "I'd like to write more about what I'm really going through," Wilson says.

But he's stingy on the details. "It would just be a song that takes, spells out what happened in my life...." He pauses, laughs quizzically, and then cops out. "And I just think that people would really dig it."

But that past -- "the ups and downs," as Wilson puts it -- is also why he refuses to read the reviews and interviews about Imagination. "I have bad habits," he stresses, in fear of revisiting somebody's retelling of his history. "I'm not reading stuff about me."

Yet he is curious about how the general public views his work. He asks about how well last year's Beach Boys Pet Sounds Sessions box set sold, and Melinda notes that he's paying close attention to how Imagination is performing. "He wouldn't call up [Giant's] Irving [Azoff] and say, 'What's the album at today?' But he does it to me the minute he gets up. 'So what did it do? Where is it?' "

In its first week of release, Imagination did decent if unspectacular business, selling approximately 18,000 copies and entering the Billboard album chart at No. 88. The following week, sales dove to 9,000 and the record fell to No. 146, though the single has hovered in the mid-20s on the Adult Contemporary airplay chart. It's also sold better overseas, moving 60,000 copies in two weeks.

In the fall, Wilson plans to perform live to promote Imagination, hitting approximately 30 cities in America, with tentative plans for European dates. Wilson already did a dry-run solo performance for a VH-1 special slated to air in August. Ironically, Wilson will be on the road competing with his old band, the remaining Beach Boys in perhaps their most pathetic incarnation yet, without a Wilson in the group and billed as "Mike Love and America's Band."

A further irony is that while Wilson has spent the past two years trying to escape his past, the Beach Boys have done brisk business cannibalizing it, licensing songs heavily, offering weak-kneed versions of the group's '60s hits on-stage, and coughing up limp self-parodies like "Kokomo." Earlier this year, the band put its name on Salute to NASCAR, a collection of those same car songs, assembled to celebrate the stock-car racing organization's 50th anniversary. The record was sold exclusively at Union 76 gas stations.

Brian Wilson knows full well that people wonder about his mental stability. "I think they think I might be trying to get through something that I'm going through," he says. "That I'm having a problem letting myself feel good, because I've had a lot of hard knocks. It's not so easy to let myself feel good with people, because I get ... I got hurt. But that's just me, that's just something I had to go through. It might look like I'm going through something, but I'm really not going through too much. I think I'm gonna be okay."

"People just need to understand that this is a guy who's damaged," says Steve Dahl. "And like a prizefighter, he's working his way out of it. It's the 12th round and he still has a chance to get the decision. I don't think the healing process is completely over yet. He's past the rough stuff now; he just needs to keep going out there and keep working at it."

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