By Jef With One F
By Rocks Off
By Chris Lane
By Angelica Leicht
By Corey Deiterman
By Angelica Leicht
By Corey Deiterman
When the order arrives, the fish is fried, and the disappointment registers on Pinnick's face. "Oh no. It's not grilled," he notes, in an almost childlike tone. The revised order comes back quickly, but the effect that lingers is that Pinnick's looks, voice and nervous giggle hardly jibe with the publicity-photo image of the raging musician who finds himself with not one but two new releases out. There's Tape Head, the latest release from King's X, and Massive Grooves from the Electric Church of Psychofunkadelic Grungalism Rock Music, a solo record he released under the name Poundhound, which is also the name of Pinnick's Houston studio. Both releases mark a new start in the direction of the band and the man, and he's clearly drinking from a rejuvenatory tonic.
That's owing in no small part to the enthusiasm the band feels for its new home, Metal Blade Records. The small but well-respected home of acts ranging from Fates Warning to Cannibal Corpse and GWAR quickly picked up the band after their longtime relationship with Atlantic Records ended. Metal Blade released Massive Grooves ... and King's X guitarist/vocalist Ty Tabor's solo release, Moonflower Lane.
"When we left Atlantic -- or they dropped us, whatever -- Metal Blade was the logical choice for us. We did our share with a corporation whose bottom line was to sell records or else. And with that pressure looming over us, it makes you do things differently," Pinnick says. "We saw the freedom come back, and we did a lot of things we always wanted to on the new one."
In addition to recording and producing the entire effort themselves in both Poundhound Studios and Tabor's Alien Beans Studio in Houston, Pinnick, Tabor and drummer Jerry Gaskill did something else that they never have before: They wrote almost all of the material together.
"We were tired of King's X just interpreting our individual demos. This time we just decided to do it together," Pinnick says. "And we gave each other the freedom to create the music that we wanted to. To me, it's our first record all over again. And we needed that."
And, indeed, songs such as the irresistible "Groove Machine," "Over and Over," "Cupid," "Hate You" and "World" make Tape Head the band's strongest effort in years, further expounding on their melodic hard rock and three-part Beatlesesque harmonies. The lyrics, however, have taken a turn away from the mostly positive vibes of their previous material, which balanced Pinnick's dark view with Tabor's sunnier outlook.
"That's because I came from sort of a dark place. Someone once said it's that tension that made us who we are as a band, but I don't know ... I don't know," Pinnick laughs. "Both of us are very dominant, and there is that tug of war in the music."
Still, Doug Pinnick is not a morose guy, at least not anymore. "I feel better about a lot of things now and can enjoy them -- sort of smell the roses," Pinnick adds, giving the impression that he's not upset the band has yet to really break through on a national level. "I can't get down on anything because we make [the records], and then we go out and play for people, and they're listening, and they've even paid to listen. And there's nothing wrong with that ... we're just a bunch of dreamers who got lucky. A lot of [bands] don't even make it this far."
Doug Pinnick was born in 1950 in Joliet, Illinois (though he looks far younger than his 48 years) and grew up in a Chicago suburb. An unstable home meant that a strictly religious grandmother raised him. And while Doug was the only child of his mother and father, he had 14 half brothers and sisters from his parents' other marriages and relationships.
As a teen, he found solace in a wide array of music, from church singers and musicians to Motown, Sly and the Family Stone, Yes and even Black Sabbath. And though he sang in bands in high school, he didn't pick up a bass until he was 22, learning it while living in a Christian community in Florida and playing in an evangelical art-rock band.
In 1979, he relocated to Springfield, Missouri to join a re-formed lineup of Christian rock band Petra along with Gaskill. The band broke up after only a month. The pair began to spend time with Gaskill's friend, Tabor, and in 1980 formed the Edge with another guitarist, playing a mixture of originals and covers for anyone who'd have them. Five years later, the band was now a trio calling themselves Sneak Preview and playing much harder-edged material, though still with a spiritual bent à la U2, one of Pinnick's favorites. In 1986, the band moved to Houston, originally under the auspices of a Christian rock label, though they actually found themselves working with ZZ Top associate Sam Taylor.