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Shaping themselves after bad girls, the Donnas get punk bitchy

Teen pop, meet your nemesis: The Donnas. A quartet of bad girls a year out of high school who take inspiration from Kiss and the Runaways, the Donnas are like a gang, adopting pseudonyms (Donna A., Donna F., Donna R. and Donna C.) and wearing matching tight T-shirts for unity. With power-chord guitars and tribal drumming, the band's third long player, Get Skintight, is a 38-minute blast of smoking-in-the-girls-room attitude.

Not that the Donnas don't cover similar ground as other teenagers in music. "You Don't Wanna Call" features a couplet that would make Tiffany proud: "So I guess I'll just go to the mall / 'Cause I know you'll never call." It's just that the line — as spoken through a gum-popping snarl — comes off as more valley girl snobbery than brokenhearted nerdishness, but according to drummer Donna C., it's all true. "We do all the stuff that we say on the record," she says. "I think that our personalities as the Donnas are our personalities as us. There's not really a difference. [It] might be embellished to make it more exciting, but they all came from experiences that we've been through. I think it's pretty true to life, but I also think that we're not stupid. We're not going to be just tough and go crazy on people just for the sake of doing that — then you just don't get any respect. You've got to choose when you're going to be like that."

The foursome first started playing together in Palo Alto, California, when they were in the eighth grade. Over the years the group slowly transformed from a garage outfit that covered the Muffs and L7 to a self-directed, noisy riot grrrl group. The Donnas were born when the girls were approached by songwriter/label owner Darrin Raffaelli to collaborate on a straight-ahead rock project. The band released a self-titled record in 1996 and two years later dropped American Teenage Rock 'n' Roll Machine, also co-written with Raffaelli, an album that couldn't have been more appropriately named.

Not your grandma's riot grrrls: The Donnas match metal guitars with tribal beats.
Julie Ornellas
Not your grandma's riot grrrls: The Donnas match metal guitars with tribal beats.

Soon the hype machine took over — features for MTV, Spin, Rolling Stone — and there was the implication that the Donnas were a prepackaged group, a punk rock Spice Girls, under the thumb of a man. Never mind that the Ramones have never been called a novelty act, and forget that this quartet had been a band for a couple of years before hooking up with Raffaelli. Girls can't write raw music. "We always get compared to the Runaways and stuff," says Donna C. "Anytime there's younger girls and an older guy involved, [people] just assume [that the man calls the shots], because that's what history has always been like Š but that's not really what happened with us.

"[Raffaelli] came along, and we did [the Donnas as a] side project while we were still doing our other band. I guess people want to turn it into something like that because he's a guy and he is older than us. It was really more like a friend-type thing. We always talked about everything, the five of us. He was really cool, and he never really made us do anything we didn't want to do."

Patronizing attitudes are what the Donnas have dealt with since they began practicing in Donna C.'s family garage after school. "The boys were totally condescending to us in our school," she says. But now the Donnas have to deal with the grown-up version of those boys: club owners, sound engineers and radio station disc jockeys. The world is full of these guys, flunkies who can't appreciate female aggression. Contempt sometimes follows.

But the Donnas have enough experience to know how not to get pushed around. "When it happens you see that it's happening, but you still do everything you can to get your way," Donna C. says. "I don't think we're out-and-out bitches unless we really have to be. We're not afraid to be bitches. But most of the time when we work with someone, we knew them before. It's usually when we go into a club and people haven't heard of us and the sound guys are like, 'Yeah, right, these girls are gonna be able to rock and roll.' Usually you get that kind of attitude beforehand, but you just set up and [do] sound check. After sound check they're like, 'Wow, you guys are really good.' They usually come around."

Get Skintight should erase doubts that the Donnas are puppets. For the first time they wrote the songs without outside help (save for a punked-up cover of Mötley Cr¨e's "Too Fast for Love"), and the results are even snottier than in the past. Punk tempos meet metal guitars, which musically jibe with lyrics about doing doughnuts on the neighbor's lawn, trying to talk to a traffic cop after smoking pot in the car, dealing with boring boys and looking for quick love. Ex-Red Kross leaders Jeff and Steve McDonald produced the record, but the duo approached the band after the songs were ready to go.

Donna C. says the band took charge of Get Skintight. After all, the members have all put off going to college indefinitely because of the band. They have a lot more invested than when it was just an after-school activity. "We oversaw every single part of [the album]," says Donna C. "[When] Jeff and Steve asked if they could produce our next record, they were like, 'You can do whatever you want. You can say no to any of our ideas, and it's your record.'

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