By Jef With One F
By Rocks Off
By Chris Lane
By Angelica Leicht
By Corey Deiterman
By Angelica Leicht
By Corey Deiterman
But hey, in this biz, you gotta go where the action is.
At Wherehouse Music on South Post Oak, masses of people were lining up inside and out to meet hometown-girls-made-good, Destiny's Child. Showing up at around three minutes after six, the four lovelies that make up Destiny's Child Beyonce Knowles, 17; LaTavia Roberson, 17; LeToya Luckett, 18; and Kelly Rowland, 18 filed in through the door and through the turnstile. Each was wearing some variation of a green and white floral-patterned ensemble. The quartet spent the next three hours ferociously signing anything: cassette covers, magazines, napkins (for the people too cheap to buy an actual CD or cassette), anything their fans threw at them. And man, what a wide array of fans there was. From petite six-year-old black girls to full-grown 35-year-old white men, people of different ages, races, genders and sitcom preferences all flocked to meet the members of Destiny's Child and get something with the girls' Jane Hancocks on it. To make the event seem even more glitzy, assorted publicity/management/record-label folk wrangled fans relentlessly.
Destiny's Child was back home to promote The Writing's on the Wall, the follow-up to its 1998 debut. The sophomore effort looks to have the potential to be the group's most successful album to date. It debuted at No. 6 on the Billboard album charts and has already spawned the hysterical, over-the-top ode to trifling, broke-ass boyfriends everywhere, "Bills, Bills, Bills," which has already hit No. 1 on the Billboard singles chart. The album also boasts an impressive list of producers, including the getting-popular-by-the-millisecond Rodney Jerkins, Missy "Misdemeanor" Elliott, Tony! Toni! Tone!'s Dwayne Wiggins and Kevin Briggs, the man behind TLC's monster smash "No Scrubs." With these pros working behind the boards, the girls erase the tease tag that has followed them ever since their breakout hit from last year, the Wyclef Jean-remixed "No, No, No." They've transformed themselves into self-assured women who know what they want in their men.
After a whole evening of signing autographs, the ladies are finally free to engage in some one-on-one banter. For only five minutes, of course. Then it's off to do some other publicity-related stuff.
Houston Press: So how did you enjoy the whole shindig here?
Kelly: It was wonderful. I think until we saw the crowd and how big it was, we were really shocked and surprised because Houston really showed us a lot of love and support. I know all of our eyes got big when we stepped out the car. And even when we drove in, we were like, "Oh my God," 'cause we saw, like, a lot of chaos going on. When we walked in, everybody was like, "Hey, Destiny's Child!" And it really makes you feel good, because you're at home.
HP: How much time do y'all get to spend here in Houston?
Beyonce: Not a lot, not a lot. We're actually leaving tomorrow morning.
HP: Where are y'all off to?
Kelly and LeToya: The Bahamas.
Beyonce: We're blessed to do five episodes host five episodes of MTV [Jams Countdown, a daily black-music show] in the Bahamas.
HP: How has it all changed?
Beyonce: I think the main thing that has changed is the fact that we're not at home as much. We don't really get a chance to see our family as much. I mean, our whole lives has changed. We live out of suitcases now. We get a chance to see the world. We've been over to Europe 12 times in the past two years. Japan, Jamaica, Bahamas, we've been all over Canada. We've gotten a chance to meet a lot of people. We're just really blessed. The good definitely outweighs the bad.
HP: Let's talk about "Bills, Bills, Bills." It's obvious that the song is all tongue-in-cheek. Have you come across those who didn't find it so amusing?
Kelly: You know, you bump into some guys and it's like [in deep roughneck voice], "Man, y'all know y'all wrong for 'Bills, Bills, Bills.' " But the thing is some people don't really listen to the song. They really just listen to the chorus. You have to be able to listen to the verses to understand the chorus. And in the beginning of the relationship in the song, the guy is treating his girl all right, you know. Everything is going great in their relationship. But then, you know, when further down the line, he starts slipping and maxing out her credit cards. It's, like, in the song. You gotta listen to the song. And later on, she's just asking him, "Look, can you pay my bills that you were running up?" And that's it.
One of the publicity/management/record-label brothas stands up near the side of the table and says, "Two minutes, man. Two minutes."