Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Art House

Gallery Sonja Roesch

Share

  • rss

By Brett Davidson

Published on September 02, 1999

It was over a decade ago that Mike Myers sucked in his cheeks, squeezed into a tight black catsuit and announced, "Now is the time on Sprockets when we dance." We laughed at the Saturday Night Livelampoon of the postwar German aesthetic (Mike Myers is a funny guy), but we didn't really get the joke. And neither did most museum directors, curators and gallery owners in town.

Then came Sonja Roesch, a German gallery owner who was transplanted to Houston with her family in 1996 and has since become the local art scene's consultant on and connection to all things German, conceptual and minimalist. Inspired by Parisian gallery owner Denise René, who paved the way for the success of German constructivist and reductive forms in France in the late 1940s, Roesch takes her role as art ambassador seriously. In fact, the German consulate has even invited her to curate a show for Texas A&M's December "German Week."

But the transition to Houston hasn't been easy for Roesch. "I didn't understand Texas slang," she says. "I was afraid of answering the phone because I didn't understand what people were saying." Most Houstonians have some trouble understanding Roesch as well. "It's frustrating," she says. "The only names people seem to know are Kiefer, Richter, Baselitz. There are so many others."

But by far, Roesch's biggest challenge has been the lack of a local gallery of her own. Her Keith Krumwiede-designed Houston space won't be completed until next summer, so Gallery Sonja Roesch now fills the two large front rooms of the art lover's stately red-brick Bellaire home. Mixed in with traditional living room furniture, her ever-changing German art collection features such works as Hans Peter Reuter's masterful three-dimensional cobalt-blue cube paintings and Frankfurt-based painter and publisher Miki Bunge's large pop pieces based on isolated fragments of Albrecht D¨rer woodcuts. Her house is perhaps the only place in town where you can admire the monolithic steel and dirt sculptures of European rising star Madeleine Dietz. It's definitely the only place where you can admire them from the comfort of a sofa. Gallery Sonja Roesch is open by appointment. Call (713)663-7612 or check out www.gallerysonjaroesch.com.