By Jef With One F
By Rocks Off
By Chris Lane
By Angelica Leicht
By Corey Deiterman
By Angelica Leicht
By Corey Deiterman
(Music to be played during first part of segment: "Blinding Light Show/Moonchild.")
(Voice-over): Rik was born in 1953 in Toronto (cue: photo of infant Rik in cowboy costume, crying) and joined Triumph in 1975. The band's first record, on a tiny label called Attic, was barely noticed -- even in its backwater hometown. (Cue: photo of downtown Toronto.)
(Music for second part of segment: "Rock & Roll Machine.") The band's first U.S. show, in 1977 in San Antonio, was an improvement from their first professional gig two years earlier at Simcoe High School in Canada (cue: home video of Rik throwing guitar picks into packed bleachers), where the group was paid $750.
Touring the States helped the band get noticed, and in 1977 it released the first of what would be nearly a dozen major-label records in as many years. (Insert: album cover of Rock & Roll Machine.) Rock & Roll Machine on RCA Records was an instant success and helped catapult the charismatic Rik to rock star status. The two-and-a-half-minute a cappella guitar solo on the title track would be what every young aspiring ax-man at the time wanted to master. That is, until Eddie Van Halen's "Eruption" came out in 1978. (Cue: photo of Eddie V., smiling, standing alongside Rik, biting lower lip.)
(Music for third part of segment: "Just a Game.") Being in the band was something Rik enjoyed -- from an artistic standpoint. (Cue: photo of Rik in the studio, pointing to a guitar as Moore and Levine look on curiously.) He wrote or initiated the writing of a lot of the band's hits. "Lay It on the Line," "Just a Game" and "Hold On" were just some bits of Rik's handiwork. Moore and Levine were interested in selling and packaging the band. Levine, a master mixer, produced the majority of Triumph's studio work, while Moore scheduled tours and arranged the band's garish live sets. (Cue: photo of Triumph's live stage, circa 1984; the word "Triumph," spelled out in 20-foot-high illuminated lettering, hangs behind the band.)
The mix of business and art took an emotional toll on Rik. It would almost cost him his career, his job, his car! VH1's Where Are They Now? with Rik Emmett will return after these messages.
(Music to be played during first part of segment: "Suitcase Blues.")
(Voice-over): Triumph would go on to sell more than 12 million albums worldwide. But Rik knew the success wouldn't last.
(Direct quote from Rik on tape): "We got to a point when it was too frustrating. I said, you know, the band has seen its best days. It was not a scenario to embrace the desire to do things outside of the band.The other guys would not practice. I kept giving them chances. I kept saying, ya know, 'C'mon, guys. If we don't have the chops, it's not gonna happen. Let's woodshed. Just a little.' And I looked at bands like Rush with so much envy. What they were doing was the stuff I wanted to try. But."
(Music for second part of segment: "Fight the Good Fight.")
In 1988 Rik had had enough; he wanted to disband Triumph and keep its legacy and integrity intact. But Moore and Levine wanted to soldier on. They also wanted to purchase the Triumph catalog from MCA, which was once RCA, and rerelease the trio's popular albums, pocketing the money for themselves. (Cue: photo of Rik, eyes bulging.) Rik wasn't interested, but he wanted his former bandmates to buy out his share of the Triumph name and future sales. They balked; a legal battle ensued. Rik would lose more than $20,000 and lots of sleep, and would watch the Maple Leafs trade Dougie Gilmour for two bags of pucks. (Cue: photo of Rik, shouting at his TV.) He would also watch in despair as a triumphant Moore and Levine continued to crank out watered-down Triumph arena rock.
Today, though he was the creative force behind much of the band's better music, Rik does not receive one cent from its record sales. The only money that goes his way is from songwriter royalties, which come from airplay. (Cue: photo of Rik, digging in his pockets.)