By Kaitlin Steinberg
By Minh T Truong
By Molly Dunn
By Brooke Viggiano
By Kaitlin Steinberg
By Molly Dunn
By Molly Dunn
By Eating Our Words
God knows, I wanted to like Ruggles Bistro Latino. The promise of a swanky downtown location, hot music and sexy Latin food pegs my personal Swoon-o-Meter. Instead, ten minutes into my first visit, I could have wept, though I doubt I'd have been heard over the throbbing Ricky Martin soundtrack.
Owners John and Darryl Hamilton brought in Ruggles impresario Bruce Molzan to reopen the space at 711 Main where Staccato's so abruptly closed this summer. The redecoration effort was simple and perhaps hurried: Scrub some fashionably distressed paint on the walls in fluorescent tones of orange and yellow, then hang a couple of cartoonish paintings of Spanish señoritas. Voil$agrave;! Instant Latino cafe.
The evening ambience strategy is to turn the lights down low. I mean, way, way low, dark as a coal mine. Night dining at Bistro Latino is an almost comical exercise in the blind leading the blind: Patrons are challenged to read the menu or identify food on the plates; waitstaffers use tiny flashlights to search for bottles of wine in the tall, dark cubbyholes next to Staccato's abandoned pizza oven. You think I'm kidding? I watched a man at the table next to mine one evening holding his menu outstretched at arm's length, panning it back and forth in a vain attempt to catch a ray of light from the tiny fixtures suspended from the ceiling. Sure, each table has a teacup-size oil-burning lamp, but its flame is as insignificant as a birthday candle.
The darkness compounds the difficulty of deciphering the bilingual menu. Each dish is painstakingly described in both Spanish and English, but the Spanish is a strangely stilted compilation of mixed dialects and awkward translations. " 'Bife al estilo de New York'?" a friend from Mexico read aloud in disbelief. " 'Pasta de cabellos de angel?' I thought this was supposed to be Latin food."
The waitstaff often seems as baffled as the diners. We felt around in the wire breadbasket to discover tiny white biscuits, smooth ovals nestled in a napkin like quail eggs. "I'm pretty sure that's yuca bread," said our waitress. "But I don't know what that green stuff is with it." We groped across the tabletop to locate the small dish of "green stuff," which turned out to be a rubbery quarter-inch-deep serving of jalapeño jelly. Forget the jelly. The biscuits are good on their own, a thin, flaky layer of dough surrounding a soft core of queso fresco; they fit comfortingly in the palm like warm worry stones.
And I went crazy over the coconut shrimp appetizer, although I grant you $9.75 is a lot to pay for three jumbo shrimp. But what gorgeous shrimp these are, coated in bristly golden jackets of fresh coconut shreds, aswim in an irresistible red curry sauce. (Just ignore the "mango mojo" in its little cup, more mashed mango than mojo.)
Other appetizers proved less appetizing. I was intrigued by the notion of a "seared" soft-shell crab ($14.95), one night's special appetizer, but was disappointed to find it battered and fried in a rather ordinary way. What's more, the poor little crab was presented with a bizarre touch: It was buried under a dry haystack of crunchy, curly noodles, the sort that accompany Chinese carryout by the bag-load. Excavating beneath the noodles, I found absolutely plain steamed pea pods and white chunks of jicama. That's it? I wondered. That's all?
Back on the regular menu, I was fonder of the appetizer quesadillas, which are thickly swaddled in potato dough rather than flour tortillas and almost worth the $11.50 for four fat quarters. I couldn't find the crabmeat as advertised, but the cheese filling was soft and plentiful, swathed with a mild, grainy sauce of chipotle and cilantro. I only wished they'd been served hotter, so that the cheese didn't set so quickly into a rubbery mass. (It's a puzzling quirk of Bistro Latino dinners that the plates themselves are red-hot to the touch, but the food on them is barely lukewarm.)
Three bites into our appetizers that first night, our waitress plonked down the soups. We must have looked at her crossly, because she hastened to assure us, "Oh, don't worry. Those soups will probably stay warm for a while." They didn't, of course. Ordinarily I'd put this minor goof down to one staffer's inexperience, but premature serving seems to consistently blight the entire room. At another nearby table, a gentleman and his waiter engaged in a two-fisted tug-of-war, the man trying to hang on to his salad plate, the waiter determined to wrestle it from him in order to serve his steak. In the end, of course, the customer gave up his almost untouched salad; the waiter slapped down the steak and sped away with his prize.
Though both had cooled by the time we got to them, one of the soups was still very good. The roasted corn chowder ($4.95) sported a sprinkling of sweet corn kernels, bits of crabmeat and soft queso fresco, bobbing in a rich brown broth warmed by the smoky flavor of chipotles. Too bad the posole ($4.95) was such a crashing bore. Its watery chicken stock was thin and anemic, the token hominy kernels hopelessly outnumbered by shreds of boiled chicken, some of which I suppose could have been pork, but were indistinguishable in flavor. I'd hoped for radishes in the "fresh veggie" garnish, and maybe some queso fresco, too, but instead got raw carrots and red cabbage, neither of which contributed spark or interest to the bowl.