Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Best Adulterated Shakespeare

Gregory Boyd's The Comedy of Errors, Alley Theatre

Share

  • rss

Published on September 21, 2000

Stand-up comedy in Shakespeare? How about slapstick? Or musical interludes from The Good, the Bad and the Ugly? The Alley's Gregory Boyd did all this and more in his irreverent and very funny take on one of Shakespeare's zaniest tales of mistaken identity, The Comedy of Errors. The Looney Tunes take time-warped the whole story out of the Renaissance and into the war-torn years of the 1940s. Boyd and company turned the mysterious land of Ephesus, where the play takes place, into a Casablanca-like town filled with smoky speakeasies and curvy, platinum-haired women dressed in creamy satin. Taking liberties with Shakespeare's script, Boyd situated one hysterical scene inside a sticky bar, where a Henny Youngman-style stand-up comedian told one-liners in Ephesian, a language Boyd invented. Images from the Three Stooges, the Marx Brothers and Saturday-afternoon spaghetti westerns filled up the wild production, and the audience couldn't stop howling. Though the purists were spinning in their seats, surely Shakespeare would have approved of Boyd's brazen comedic balls.