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Shelf Life

Long after Britney Oops her way to obscurity, these releases will continue to sing

Southpacific
Constance
Turnbuckle

Nothing could be more glorious than a full submersion into Southpacific's surround-sound maelstrom of samples, guitar haze and electronica beats. A study in anticipation, Constance is a standout of this genre. After the album's many reverb-happy instrumentals, it feels like the lush layering of dream-pop couldn't get any more gorgeous, but then guitarist Joachim Toelke, bassist Phil Stewart-Bowes and drummer Graeme Fleming surprise you with "Built to Last," the only track with vocals. Waiting for the next note or harmonic shift becomes such an exquisite pleasure. Although Southpacific has disbanded, fans are already looking forward to Summerside, Toelke's newest endeavor. -- Sande Chen

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Supa DJ Dmitry
Scream of Consciousness
TVT

Striking out on his own, Supa DJ Dmitry (Dmitry Brill of Deee-Lite) charges out with his first solo release. Sure to worm himself into the hearts of candy ravers and older tech-heads alike, Dmitry showcases the finest in current rhythms this side of the pond. In the United States, where thoughtful, hard-hitting beats are harder to find than a viable candidate for president, Scream of Consciousness delivers. Guaranteed to add life to any party, Dmitry has produced an edgy album that is, well, supa. -- Elizabeth Taishoff

Rokia Traore
Wanita
Indigo

Hearing Rokia Traore's swooping vocal bends and fluttering vibrato -- accompanied by acoustic guitar and the percussionlike balafon -- is to be transported to an intimate, rootsy Africa. Although Traore sings in her native Bamanan dialect, she connects on a deeply understated, emotionally direct level. Traore sings about women in African society as well as the importance of family and fraternity. Like Ali Farka Toure, Traore is part of the neotraditionalist Mali music movement that offers a different approach from Western-influenced Afro-pop. -- Aaron Howard

Various Artists
The Devil's Swing
Arhoolie

The release of the Arhoolie's 40th anniversary boxed set may have overshadowed this fascinating slice of Tex-Mex history. A collection of 19 corridos (ballads) from the Big Bend region, The Devil's Swing gleans from a rich, isolated folkloric tradition. The songs, by a variety of area performers, pay homage to local Robin Hoods from Pancho Villa to drug trafficker Pablo Acosta. Recorded on location to accompany the documentary of the same name, The Devil's Swing -- the title is taken from a local legend about the devil crossing the Rio Grande on a giant iron ball -- is a sampling of some of the most alluring music found on this continent. -- Rob Patterson

Various Artists
Musica Negra in the Americas
Network

Slavery brought Africans to every part of the Americas, and they, in turn, influenced European and indigenous music in ways that we're just beginning to understand. This marvelous world music set includes examples of African-informed styles such as Cuban son and Brazilian samba. But it is the lesser-known hybrids, such as the Afro-marimba of Ecuador's Carmen Gonzalez, and the punta of Belize's Andy Palacio, that are the real discoveries. This 33-track collection from 19 countries is the next step for anyone whose interest in world music was piqued by the Buena Vista Social Club. -- Aaron Howard

Warren Zevon
Life'll Kill Ya
Artemis

Forget Marilyn Manson. Warren Zevon is rock's real prince of darkness, with his literate/satiric songs populated by a freakish gallery of characters. These sparsely arranged tracks gleefully find inspiration in S&M sex, fat Elvis, religion and typically doomed love. Zevon's persona always has been more sarcastic novelist than self-confessional whiner, and only he can masterfully turn the innocuous "Back in the High Life Again" into a resigned dirge. Though he'll always be best known for a certain Anglophilic lycanthrope, Warren Zevon remains a grossly underrated presence -- and this record shows he's got plenty of half-empty glasses left to drink from. -- Bob Ruggiero

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