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The bulk of the tracks are genuine standouts. Head cooks up simmering big-band R&B on "Bring It to Jerome" (another Diddley hit), Junior Parker's "Driving Wheel" and "Neighbor, Neighbor." He also holds his own in the musical modes of T-Bone Walker (on "Three O'Clock Blues") and James Brown (on the Duke and the Blazers classic "Let a Woman Be a Woman, and a Man Be a Man"). He dips into Stax/Volt-style soul on "Mama Mama," summons up a heart-wrenching swamp-pop croon on "I'm Not a Fool Anymore" and even transforms Sahm's "She's About a Mover" into a full-force funk workout.
While the disc ends with a countrified take on "Treat Her Right" that's more amusing than effective, the best moments here confirm Head's legendary status from his back-flipping, stage-diving, street-fighting heyday leading the Traits. Roy Head not only could have been a contender, he was one, and had the cards fallen differently, today he might be an elder statesman of blue-eyed soul instead of just a fascinating footnote.