By Chris Lane
By Jeff Balke
By Aaron Reiss
By Angelica Leicht
By Dianna Wray
By Aaron Reiss
By Camilo Smith
By Craig Malisow
Spread it around, MFA: Congratulations on an excellent article about Peter Marzio's bonus ["What's Wrong with This Picture?" by Jennifer Mathieu, January 17]. There is, however, one point that you neglected to mention. If the MFA had hired a consulting company, the work (and pay) would have been spread among many employees in the company.
But while the work was undoubtedly spread around the MFA staff, only Marzio is getting credit for working hard, and only Marzio is reaping the substantial financial rewards. It is appalling that Marzio and the board of directors failed to reward the efforts of the less visible, but no less important, museum staff.
Name withheld by request
Worth the bonus: I just celebrated my 25th anniversary at the MFA, and I love the museum and love working here. As I told Peter Marzio many years ago, I will stay as long as he is the director, although I have had plenty of opportunities to leave. He is one of the rare directors who remains a scholar while supporting the dissemination of art to a wide audience. He also knows how to read a budget and to raise the funds necessary to maintain both scholarly and popular programs as well as pay the staff to implement those programs.
Although your article speaks of his successful programs to bring art to the larger public, you ignore his high standards of scholarship and the extraordinary growth in size, quality and breadth of the collection.
If you feel the need to attack, why attack those of us who have to ask for money for public programs and the ways we feel are most effective to raise those sums? Why not attack the systems that keep the hands of nonprofit professionals always upward and open?
Our museum's growth is owing to our trustees' dedication and to Peter Marzio's leadership in his 20 years here. Regarding his bonus, I think it more accurate to say that the trustees were rewarding 20 years of dedication and labor and, more important, the vision that has directed his energy and efforts.
Anne Tucker, Wortham curator
Flush with cash: I loved the fact that you put that article up in everyone's faces. (I work at the museum and cannot use my name because I'd be fired.) If you go to any salary finder, you will see that the museum pays about $2,000 below the least amount we are supposed to get.
What I find appalling is to have spent $40 million on this extraordinary building that cut into our budget and cost us our raises just to witness the numerous failures that occur at least once every two weeks. Gallery doors fall apart, and toilets in the women's restroom overflow at least once a week because of the plumbing. And the elevators get stuck between the only two floors they have to go to with guests inside them.
We draw in large numbers of guests, all at the required donation of $5 each. What I want to know is if all the art is donated or purchased with grants, where is all the money going?! Who was in charge of the money?
Name withheld by request
Peter's no Conan: Peter Marzio has improved Houston's art scene immensely. Thank you, Peter, for bringing Houston close to New York, Paris and other world-class cities with histories and classic art. He has brought the museum's endowment up from $25 million to $430 million -- you do the math. The new Beck building is awesome and another Houston flagship.
I moved from Chicago in 1981, and the Museum of Fine Art was a small respite for the art withdrawal I had to overcome. Chicago's Art Institute and various other institutions and venues were hard to keep up with because of their magnitude and scope.
I made a point of going to hear Peter talk next to the Menil museum in support of the endowment for the arts during the Republican National Convention. He was convincing and charismatic with a tenacious message: "Don't be a barbarian!" Support the arts, back away from commercial drivel. Don't be a barbarian.
Percy J. Thompson
A violent situation: On behalf of formerly battered women and those who work at domestic violence agencies, I thank you for writing such a wonderful feature story on Dr. Michael Brown ["The Good Doctor," by Tim Fleck, January 24]. You captured the reality as only his wife and those who understand her situation know it. Congratulations, Mr. Fleck. I will look forward to more articles written by you.
Hale to the Chief
PAC it in: Thanks to Mr. Hale ["Grassroots Campaign," by Wendy Grossman, January 10]. But I wish more Americans would speak up about using pot in the past, even those holding office now. As for there not being enough pot smokers in your city to elect Mr. Hale, I would like to remind him that he can "get by with a little help from my friends."
That is, if Mr. Hale will get in touch with www.norml.org. They now have a PAC that might throw a little green his way.