Most Popular

Most Popular sponsored by

Recent Articles

Recent Articles by John Nova Lomax

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Barnyard Boogie

Continued from page 1

Published on August 29, 2002

Russell also credits a Houston music writer -- the man they call "The Party Machine" -- with setting him on a different path. "Marty Racine," Russell remembers. "I used to read his stuff a lot when I was a kid, and he wrote this one feature about these bands like the Beat Farmers and the Replacements and all that, and that particular article kinda turned my head around in terms of what music I was listening to at the time. Houston was where my musical trail took a different turn."

A few years later, the Russells were transferred again, this time to Shreveport, the Beaumont of north Louisiana. Russell launched his musical career there in the now-legendary post-punk group Picket Line Coyotes, who moved en masse first to Dallas and then to Austin, where they broke up. In 1994 Russell joined Smith and Claude Bernard's duo Old Government, and after hiring a drummer, the Gourds were born.

Along the way, Russell and company shed the punk instrumentation if not the fire and anarchic attitude that gives you the huevos to record Snoop Dogg with a mandolin as the lead instrument. Not that the band is all on the same sheet of music when it comes to influences. "The longer we go, the more divergent we are of each other in the music we listen to," Russell says. "The other night we played San Antonio, and Jimmy got kinda drunk on the way back, and me and him and Max were arguing about music. Me and Max are really into late-'70s, early-'80s country music like Don Williams, Gene Watson and George Strait -- there's sort of a guilty pleasure we get out of it. Jimmy just despises it, he just hates it. He was just getting so worked up."

Smith hates it so much, in fact, that Russell eventually had to throw out some of the material the band had been playing live. "I had the Gourds cover 'Amarillo by Morning' for a while," Russell says. "I told 'em at the time, 'Look, guys, I know this is a stretch but just indulge me here.' Max was all over it man, but Jimmy -- he just couldn't do it."

A twangy Texas group that loves to cover Snoop Dogg but turns up its nose at George Strait? Like the man said, is this a real band?

« Previous Page   1   2

Houston Press Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com