Swanky, cool and utterly gorgeous, Andrew Jackness's set for the Alley Theatre's fall production of Yasmina Reza's Tony-winning Art was an example of visual minimalism at its two-toned best. The large elegantly blank rooms of the set were framed with towering cream-colored walls topped with enormous curving crown moldings. Furnished with three simple gray chairs, the rooms epitomized New York chic, the kind that comes with wads of dough and a wonderfully pompous desire to be hip, even if it means living life as though it could be ordered from a J. Crew catalog. Visually arresting and wonderfully clever in the way it captured all our modern-day anxieties about what is beautiful, Jackness's set made cool both appealing and absurd all at once.