Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

The Cruel and Unusual, with Poor Dumb Bastards, Hobble, Dick Delicious and Southern Riot

Friday, June 20

Share

  • rss

By John Nova Lomax

Published on June 19, 2003

Just when it seems punk has gone completely corporate (think Good Charlotte) or has become a nostalgia circuit (Cramps, Buzzcocks), here comes a show like this -- one with a youngish act like Austin's the Cruel and Unusual duking it out with Houston's legendary PDB and three other bands. The C&U's singer-guitarist Eric Unusual spits sick lyrics ("Life may be a bitch but at least we all die") over a guitar with just enough twang to tell us that, yes, this is indeed an Austin band, punk or no. The trio's cover of the Beatles' "Run for Your Life" fits right in with the C&U's genuinely dangerous white riot vibe much more so than it did in John Lennon's hippie hands.