By Jef With One F
By Rocks Off
By Chris Lane
By Angelica Leicht
By Corey Deiterman
By Angelica Leicht
By Corey Deiterman
Since flipping the station's format from Rap/R&B, the station's ratings have doubled, and now it is in fifth place overall among English-language stations in town, a decimal point ahead of KILT at 3.6 to 3.5. (Among stations whose target demographic is primarily white Anglos, Country Legends is number three.) Furthermore, the stations are heading in opposite directions. In the winter ratings book -- the first after the format switch to classic country -- the geezer station had a 2.5 rating, and KILT merited a sturdy 4.2.
"When KIKK flipped to smooth jazz, we saw a hole there," says Country Legends program director Michael Cruise. "Honestly, we didn't know the hole was that big. We're a little surprised at how well it's doing."
Cruise says that KILT was placed in an awkward position when KIKK bit the dust, one that has gotten even more difficult since Country Legends started operations. "They're trying to play more of the honky-tonk stuff KIKK played and they are also dipping back farther into their gold to compete with us. They're playing more Merle and Willie and stuff like that. I kinda see them as a department store -- they are trying to have a little of everything, whereas we have two boutiques."
Cruise says that Country Legends has obvious appeal to the 25-54 demographic, and adds that Q Country is popular with 18-24 year olds, and that advertisers are finding this bundle appealing.
Ironically, Country Legends is thriving on songs that dominated the playlist long ago at KIKK, a station which is, of course, no more. Perhaps if KIKK had blended classic country instead of classic rock in with the Cory Morrow and Pat Green, perhaps if they played Waylon and Willie more and Crosby, Stills, Nash and Young less, maybe if they spun Bob Wills instead of Bob Seger, perhaps then KIKK and its ill-fated "Houston's Country Alternative" experiment would still be around. But they didn't and now they are a smooth jazz station, and Country Legends has yet to hit its ceiling.
One person who agrees with this theory is 80-year-old Joe Parsons, AKA the River Oaks Redneck. The acronym-addicted Parsons host the Redneck Jam every Wednesday at Blanco's and sends out a weekly newsletter. "I've been saying for years we need a mix of classic country and the more modern Texas stuff," he says. When asked if he was aware that Country Legends took over the number one spot, Parsons said he was and chuckles. "Am I supposed to be surprised?"
Parsons says that nobody he knows listens to KILT anymore. "Everybody I know who has anything to do with country music listens to 97.1 now, or to stations on the Internet like KHY from Plano or Gruene With Envy. They sure as hell don't listen to KILT. It's not their kind of music."
While Country Legends has already won over Houston's hardcore country fans, there's still room for improvement.
"It needs DJs," says local country artist Opie Hendrix. And Racket and Parsons both agree with Hendrix's view. Normally this isn't a position Racket would take -- for him, the lowest circle of hell is populated solely by endlessly guffawing "morning zoo" DJs perpetually pissing themselves over things that aren't funny especially at six in the morning. Country Legends needs a different kind of DJ -- a scholarly jock to tell us about the songs.
Cactus Music and Video general manager Quinn Bishop says even as it is now, the station is as educational as it is entertaining. "I'm getting to hear all the songs I didn't hear back when I was listening to the Clash and stuff like that," he says. "But it does need more DJs. It sounds pretty canned. The music is the personality of that station right now, but if they added some DJs from the era of the music they are playing, it would only enhance the station. And there are plenty of out-of-work DJs in this town." (Country Legends does have a morning DJ now -- "Tubby" broadcasts every morning from five to ten.)
Cruise is taking an if it ain't broke don't fix it approach. "We're gonna be really cautious about adding stuff like that," he says. "We're doing fine as it is."
Bishop loves the fact that it plays music from the '50s through the '80s. "You'll hear Hank Snow doing 'Moving On' right next to 'Hello Country Bumpkin,' and some songs that weren't even very big hits. It's almost a no-format format" he says.
What a surprise! The no-format format of simply playing good music is beating out Nashville's focus-grouped, touchy-feely assembly line suburban music crap. Maybe if the hitmakers in Music City would follow a similar approach, people wouldn't feel such a need to retrench in the oldies.