By Jef With One F
By Rocks Off
By Chris Lane
By Angelica Leicht
By Corey Deiterman
By Angelica Leicht
By Corey Deiterman
Ho ho freakin' ho, it's Christmas time again, and time for Racket to get his Scrooge on. But instead of trashing a bunch of half-baked yuletide CDs, this time around we're going deeper on the subject of Christmas music. Not that we're religious, but aside from a few hymns, we think most of the entire Christmas music genre is evil.
Why? Well, first off, Racket's a native Texan. All this "Let It Snow," "Winter Wonderland" and chestnuts roasting crap really gets him down. Dreaming of a white Christmas? Keep dreaming. The last white Christmas in Houston was, well, never in recorded history. It may have snowed here on December 25 sometime in the past, but only the Native Americans were here to see it. It has snowed before and after Christmas here, but never on the big day. The mercury dips below freezing once every five years, but then it also surges past 70 every five years, too.
The whole Christmas-snow correlation is idiotic anyway. Just as it's preposterous for us to believe that Jesus looked anything like the way he's presented in, say, Dutch paintings, so is it ridiculous to think that his birthday has to be celebrated with the wintry tunes of the Germans, English and Yankees who wrote the songs. It's rampant cultural imperialism! Vile Eurocentric bigotry! Virulent Northernism!
About ten years ago, Racket and not-yet-Mrs. Racket had the privilege of spending an entire December about 70 miles north of Bethlehem on a kibbutz in the Galilee, and the weather there is basically identical to that of Houston. After all, it's on almost exactly the same latitude. But to hear most Christmas music, you'd think Jesus was born in Duluth, Buffalo or Nome. For the last time, Jesus was born in a subtropical desert, not a blizzard!
Meanwhile, other secular Christmas ditties paint Norman Rockwell pictures of Christmas that people kill and die trying to recapture. You can bet the bargain-hunting mob that trampled that woman in Florida was humming "Silver Bells." How many yuletide domestic disputes unfold to the tune of "A Holly Jolly Christmas"? How many parking spot squabbles are set to a "White Christmas"? And what must the paranoiacs among us think when they hear "Santa Claus Is Coming to Town"? (True story: A few years ago, Racket was at a party for a fresh-out-of-rehab Townes Van Zandt. In his honor, we all abstained from alcohol. All of us, that is, except the guest of honor, who had concealed a bottle of schnapps on the premises. At any rate, Van Zandt was quite fixated on the lyrics of "Santa Claus Is Coming." "It says 'be good for goodness' sake!' " he would exclaim to all passersby. "That's it! Be good for the sake of goodness!")
Keen's tune is often unfairly described as being about trailer trash, but Racket didn't grow up in a double-wide and that song always seemed like a fairly true picture of his family's Blue Nun-sodden yuletide shindigs, as well as those of many of his friends. It was almost never cold -- the only snow was the fake stuff in a can. People got drunk. Fuses blew. Someone was always heading out to the U-Tote-M for tampons and smokes, and there was always some once-, twice- and thrice-removed kinfolk in the house. (Often, only my grandmother could tell me exactly how I was related to those people from Brownsville, Tyler or wherever with the cups of homemade eggnog in their hands.) All that's missing in Keen's song is a dogfight. Almost always, our mutts would get into a scrap under the table as they battled for the morsels of old Aunt Julia from Beaumont's deviled eggs that we would furtively drop on the floor.
As for the Pogues' "Fairy Tale," Shane MacGowan and the late Kirsty MacColl delivered what just might be the greatest Christmas tune of the last 50 years -- it works as a beautiful piece of music, a punch-to-the-gut love song and even capital-L literature. While bells ring out for Christmas night and the boys of the NYPD choir sing "Galway Bay," the two protagonists slide over the course of three or four verses from eager, breathless Irish immigrants to New York to a couple of stinky old codgers with various chemical dependencies who stay together because there's nowhere else to take their broken dreams.
But aside from those two, virtually every other Christmas tune does nothing more than infantilize and tantalize. On the one hand, they make you wish that someone else would take your crayon-scrawled list to Santa and make all of your wishes become real. On the other, the day itself is never quite as magic as the songs crack it up to be. Never is and never was. Who among us ever truly got to see all the people they hoped to see or got everything they asked for? And even if you did, wasn't it all anticlimactic? Especially when your toys started breaking, when you discovered that your neighbors got better stuff, when the toy you lusted for all year turned out to be nothing more than a piece of painted plastic junk nowhere near as cool as it looked on TV. Didn't the presents always looked better wrapped than they did after you opened them? Isn't the day after Christmas the worst day of the year, especially if you're back at work?