Dizzee Rascal

Britain's most recent urban music import, 19-year-old MC Dizzee Rascal, cleverly paints a desperate but highly realistic portrait of modern life in the big city on his debut full-length, Boy in da Corner. The 2003 recipient of the Mercury Music Prize speaks with an honesty that is invigorating and original, and it does so in a manner that is unmistakably and unabashedly British -- more specifically, it's drenched in London ghetto street-speak.

Related Content

• Die Antwoord
  October 28, 2010
• JayyJust: More Than Your Ordinary Mandarin-Rapping Femcee
  November 17, 2010
• 2011 Music Awards Showcase
  November 10, 2011
• Turning the Screw: B L A C K I E, Dizzee Rascal, X-Clan & Bun B, Eminem, Pitbull, T.I., Common, Snoop Dogg and More
  December 15, 2008
• Five Spot: A Crap N.O.R.E. Track Reminds Us of Bun B's Better Days
  September 11, 2009

More About

• Dizzee Rascal
• Hip-Hop and Rap

Like this Story?

Sign up for the Music Newsletter: Keep your thumb on the local music scene with music features, additional online music listings and show picks. We'll also send special ticket offers and music promotions available only to our Music Newsletter subscribers.

Privacy Policy Cancel Continue

Rascal's high-pitched, borderline squawking tones -- escalating into screeches more often than not -- voice sentiments that fall somewhere between Ms. Dynamite's socially conscious poetry and the Streets' everyman commentary. Tackling topics as invasive as teen pregnancy, the divide between the Queen of England and her people, lawmakers and lawbreakers, and simple street survival, Rascal's overwhelming fear and paranoia permeate every aspect of Corner; he expresses this terror eloquently, in a manner that seems to have evaded most American rappers for a long time.

Rascal's rhymes are set against backing tracks that, like those of most British MCs, encompass more than just the obligatory hip-hop beats -- he relies on them more for tempo than for style. Bringing in heavily English musical elements such as syncopated garage rhythms, bottom-heavy drum 'n' bass grooves, dub and reggae sensibilities, and even some punk elements -- in both the attitude and the sound -- helps keep everything unexpected and unpredictable.

Corner's raw production and even rawer outlook speaks of the distrustful mind-set that is the norm for the youths living in the violent and bleak neighborhoods of dodgy London districts. But it reaches far past those environs, relating to metropolitan cities the world over.