By Jef With One F
By Rocks Off
By Chris Lane
By Angelica Leicht
By Corey Deiterman
By Angelica Leicht
By Corey Deiterman
Your buddy pops an unknown cassette into your car's tape deck. Your latest crush burns you a mix CD. One of your co-workers e-mails you some MP3s. Your cool older brother hips you to his vinyl collection. Shootin' the shit in the mall, the quad, the break room: That's how we discover new sounds and new obsessions -- through interaction with friends and family, not through crass, impersonal marketing campaigns. And once a group has us hooked, we join fan clubs. As kids, we write letters to our favorite bands, rushing home every day, hoping for a response. As adults, we approach musicians at the bar or at the merch table after a show, eager for conversation.
Those experiences drive MySpace Music (music.myspace.com), the hottest component of the insanely popular social networking Web site MySpace. Conceived and launched last year by Tom Anderson and Chris De Wolfe as a less elitist version of Friendster.com -- create a personal profile, browse other profiles, build a virtual community of friends, swap messages, comments and/or testimonials -- MySpace has evolved into a Web phenomenon by continually adopting and adapting the best ideas from other successful sites. That includes blogging, photo sharing, special-interest groups, instant messaging and gaming, all housed in a welcoming, user-friendly, addictive and completely free environment. Thus, its astounding success: MySpace boasts nearly five million registered profiles and adds around 25,000 new users daily.
Unveiled in June, MySpace Music allows artists to create personal profiles and offer free downloads, streaming videos, banner ads, biographical material, upcoming show info and anything else they can dream up. MySpace also provides a searchable directory, along with interviews, message boards, classifieds and other features. Users can hunt down specific artists or browse their friends' profiles and interests the same way you'd peruse a CD collection.
Meanwhile, bands can generate buzz and reel in new fans, or link up with promoters, venues and other bands to schedule shows and tours. Already, more than 60,000 artists -- from major-label behemoths to unsigned bedroom four-trackers -- have signed up. It's a unique win-win model for both fans and bands, and it's working: The tremendous traffic and positive attention MySpace Music has received is speedily rendering other Internet music sites woefully inadequate and obsolete.
"I think it's succeeding because it's not strictly a music site," says the 29-year-old Anderson, a 1996 University of California-Berkeley graduate who helps run MySpace out of its Los Angeles headquarters. "I'm a musician, and I'm into local bands, but you'd never in a million years find me on Download.com searching for music. I just don't do that sort of thing. But I use MySpace, and in the process, I find new bands all the time."
After all, "A band's personal Web site is unlikely to get any traffic except from die-hard fans," he continues. "MySpace lets bands participate in a community of people who are potential fans. The hard-core music fans are there, but bands can find people that may have never bought an indie record or gone to a live show. It's a whole new market."
The big bands are definitely taking notice of this new market. In September, R.E.M. partnered with MySpace to offer a two-week free preview of its latest album, Around the Sun, before it hit stores, the first major exclusive offered by a social networking Web site. Longtime R.E.M. manager and attorney Bertis Downs says that he and the band initially were skeptical, but changed their tune after the album individually streamed more than a million times in the experiment's first week, far surpassing promotions the band had done previously with Yahoo! and AOL.
"It's sort of a cyber-version of the way R.E.M. started out," Downs explains. "They'd play tiny little dives, and people would tell other people about the show, and six months later they'd play places a little bigger, and their popularity kept growing through that word of mouth between friends, and that's the best recommendation you can have. The first week the album was up on MySpace, we were in Philadelphia rehearsing for the Vote for Change tour, and kids were coming up to us on the street saying, 'Hey, I saw your thing on MySpace, that's really cool, man.' And that made the band realize that this is real, that there's something to it. It's that whole viral thing, and it works."
Still, Downs admits the band isn't really participating in the other crucial element of MySpace: the direct contact with fans. "We streamed the album and then we were asked, 'Hey, why don't you put a message up?' and so Michael [Stipe] put a few sentences on the profile. But they've pretty much decided not to become pen pals at this point. They're just too busy playing shows."
A reasonable excuse, perhaps. But as you can probably guess, most big-shot artists with a MySpace presence completely ignore that "pen pal" function -- either they don't have time, they don't get it, or they don't care. There are exceptions: the Black Eyed Peas, the Deftones and Rivers Cuomo of Weezer all have taken a hands-on approach with their profiles, and if you send them a message, there's a good chance you'll hear back. But go to many major-label artist pages and you'll find nary a personal touch -- just a song or two, a record company bio posted in the blog section and a link to the "official" Web site, all suggesting an unpaid intern operating behind the scenes.