In his famed series of photos from the '60s, "Little Screens," Friedlander used his perceptive eye to find oddness in the banal though haunting shots of TV screens illuminating domestic spaces. But in most of "Xmas in Texas," he's exoticizing the rural, the poor and the working class -- the people who don't watch Martha Stewart or own animatronic Christmas displays. His images of yard art don't really go beyond the superficial. Instead, Friedlander is documenting ready-made "strangeness" in a way that feels slightly patronizing. Friedlander is a pro, and these are all lovely images. But you get the sense he was seduced by his own vacation photos.
Find everything you're looking for in your city
Find the best happy hour deals in your city
Get today's exclusive deals at savings of anywhere from 50-90%
Check out the hottest list of places and things to do around your city
