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Recent Articles
Recent Articles by Phil Freeman
Cradle of Filth performs Friday, February 23, at the Meridian 1503 Chartres, 713-225-1717. The 69 Eyes and Three Inches of Blood also perform.
The Monsters of Mayhem tour stops Thursday, September 28, at Warehouse Live, 813 St. Emanuel, 713-629-3700.
Flying filth will never go out of style with these guys around
Thursday, March 17, at Walter's on Washington, 4215 Washington Avenue, 713-864-2727.
Saturday, May 8
Related Articles
Thursday, March 17, at Walter's on Washington, 4215 Washington Avenue, 713-864-2727.
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Alabama Thunderpussy, with God's Temple of Family Deliverance and Axehandle
Thursday, March 17, at Walter's on Washington, 4215 Washington Avenue, 713-864-2727.
Published on March 17, 2005
Johnny Wells, Alabama Thunderpussy's new singer, has helped make Fulton Hill the band's strongest album to date. Wells combines the best qualities of Axl Rose, Chris Robinson, Phil Anselmo and Gary Floyd (from Sister Double Happiness and the Dicks) into a powerful, raw-throated roar. He's also got the redneck attitude -- in spades -- that's always underpinned ATP's best work.
On Fulton Hill, the band retreats a little from the ultraheavy riffage of 2002's Staring at the Divine, returning to the Skynyrd-on-steroids boogie-pummel of 2000's Constellation. The opening instrumental, "Such Is Life," grinds like a gravel truck heading up a mountain in low gear. "Three Stars" and "Alone Again" are pure Southern-rock melodrama, the kind of songs the Black Crowes used to write, but with extra Eyehategod guitar tone. Female background vocals and bluesy piano add immeasurable emotional heft. And just in case anybody thinks ATP has gone soft, "Lunar Eclipse" sports the heaviest riff, and the nastiest gut-rumbling vocals, since Tad's classic Salt Lick EP.