Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
Exposing a construction-site scam only a San Francisco cop could love.
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
If you're making sleek, space-age, minimalist work like this, there's always a danger of it becoming too sterile or too design-focused. But Fleming has some good stuff going on overall and has managed to avoid these pitfalls in most of the show. There's a great energy to his constant experimentation with forms, and his increased focus on how to present them is making his work stronger.