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"Thank God my character is on the periphery of that," says Guzman, who notes that the show is more about the duality of people than cloak-and-dagger espionage. "We're not just black and white," she says. Still, Guzman admits it's not easy being a spy. "It's an amazing play and the hardest thing I've ever done," she says. "Physically, it's complicated because we're dealing with a lot of props. Emotionally, it's complicated, because these people are all hiding things, but there's a lot going on inside them."
And of course, there's Stoppard's language, which is complex and fluid -- and challenging. "You have to go along with it, even when you don't get all of it," says Guzman. "Boy, I'm trying to come up to it. I feel so lucky to get a chance to play this part. I've been working -- pardon my French -- my ass off. But it's going to be well worth it."