By Jef With One F
By Rocks Off
By Chris Lane
By Angelica Leicht
By Corey Deiterman
By Angelica Leicht
By Corey Deiterman
Arcade Fire, "Neighborhood #2 (Laika)," "Neighborhood #3 (Power Out)," "Rebellion-lies": Arcade Fire doesn't screw around when it comes to videos. The "Neighborhood #2" and "#3" entries feature intricately animated worlds, one like a water-stained children's book and the other a digitally animated caper, which stars little dudes who look like Jawas in Santa outfits and ends in a climactic battle at a power plant. But don't bother watching "Rebellion-lies" on a computer or an iPod. The footage of the band shooting bolts of lightning at kids undoubtedly looks cool on TV, but the effect is lost on a Post-It-size window.
Spoon, "Sister Jack": Love the song, like the '60s-rock knockoff, but can't stand the video, which all too literally follows the track's title by showing a dude walking around in a nun's habit. Britt Daniels, you're lucky the chicks dig your narrow little face, 'cause there's nothing else to look at here.
Bright Eyes, "Lua" and "Lover I Don't Have to Love": Bright Eyes is king of the cheap music video. In "Lua," Conor Oberst sits in a thrift-store parka at a bus stop and just plays the song on his acoustic, with two cameras filming him (one of them gets in the other's shot). If you're a member of the "It's Conor, OMG!" club, you can just gaze at his face as he plays. We're not, so this just made us realize how damned long "Lua" is. By contrast, in "Lover I Don't Have to Love," you never even see the boy wonder. This one's produced like a karaoke video, with the lyrics running across the screen. That sounds lame, but it's actually a great gag. Have you ever downed a few Pink Slippers and given a crowd your best impression of Oberst's cracked vocals? Believe us, it's liberating.
Deerhoof, "Dog on the Sidewalk": At less than a minute long, this one's just a series of photos of, well, dogs on sidewalks. Thanks, but we already have that screen-saver.
The New Pornographers, "All for Swinging You Around": We saved the best for last. This unbelievably great video shows a bunch of incredibly cute and wholesome Canadian girls decked out in camisoles and PJs, dancing to this song, sometimes in slow motion. It's so hot, they don't even need to tickle each other! Not only do we enjoy the video, but it sums up the genius of the New Pornographers: They write pop songs that make teen girls want to dance. Isn't that why we invented music in the first place?
BETWEEN THE SHEETS
If you need any further proof that not a lot has changed in pop music over the past ten years, just look at Gwen Stefani's latest hit, "Luxurious." The song samples none other than the Isley Brothers' baby-making classic "Between the Sheets," which the Notorious B.I.G.'s "Big Poppa" famously did a decade ago.
Before you start calling out Stefani for biting a sample some artist already took to the top of the charts, you should realize that "Sheets" is, in fact, one of the most sampled tunes out there, already used by artists way before Biggie and Gwen. According to the who-sampled-what Web site www.the-breaks.com, rappers ranging from A Tribe Called Quest to Audio Two to UGK are all guilty of repurposing the tune for their own rap ditties.
Local DJ Governor Good Grief says the song is so popular to lift because, simply, the beats are prime for sampling. "On a serious tip, you got the 808. You got the 909 on there," Grief says of the popular drum machines. "You got all the crazy, fat drum sounds from that joint." He also points out that it's the definitive '80s freakdown jam. "For all those booty calls you got from here and there, they've been furnished by Ron Isley," he says.
So, in honor of the Isley Brothers' upcoming show at Reliant Arena, we ask: Who else has used the booty-call favorite for personal gain? Here's a brief rundown. Feel free to make yourself a nice "Sheets" mixtape:
Song: "Breaker 1/9"
Info: Way before he was enlightening fans with his conscious rhymes, Common was just a struggling MC like everyone else. This track from his little-known, aptly titled 1992 album Can I Borrow a Dollar?, complete with the slinky "Sheets" synthesizer melody on a loop, is a blazing example of that.
Essential listening for: Those hip-hop snobs who thought Resurrection was the first -- and greatest -- shit the man ever dropped. (You know who you bitches are!)