Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Get Hustle

Rollin' in the Ruins

Share

  • rss

By Mike Rowell

Published on January 05, 2006

Get Hustle is a darkly discordant Portland-based outfit that has put out a variety of recordings with various lineups in its nine years. On its second full-length, Rollin' in the Ruins, the band opts for a guitar-free drums/keyboard/vocals format. The result is somewhat sinister goth-prog, with bluesy chanteuse Valentine Falcon slathering her neo-soul histrionics over keyboardist Mac Mann's overdriven organ/sci-fi sound effects and drummer Maxamillion Avila's first-rate polyrhythms and tribal stomp. There's a '60s/'70s retro vibe here, with whiffs of stuff like the Doors and Janis Joplin, as well as diabolical vocalist Diamanda Galas, organ maestro Mr. Quintron and New York minimalist duo Suicide. With only six tracks spanning half an hour, Rollin' in the Ruins feels a little spare; after five solid songs of moderate length, it ends with a slithering, 14-minute, black-light bong-out reprise of track two, "Revolution Van." Sultry and strange, the song is a fun listen the first couple of times but not really on a par with the first half of the CD.