By Jef With One F
By Rocks Off
By Chris Lane
By Angelica Leicht
By Corey Deiterman
By Angelica Leicht
By Corey Deiterman
Like one of her songwriting heroes, Fred Eaglesmith, Mary Gauthier loves it when she accidentally touches someone like my father.
"I'm not the kind of singer or writer who'll ever reach the mainstream. After years of doing this, I've sorta figured out that I don't appeal to any one audience, but I honestly believe there are all kinds of people out there who listen for a good lyric, who look for something with genuine feelings and meaning that touches something real in them. Folks like your father hearing a song for the first time -- and not necessarily one of mine -- and then saying something like that just confirms that idea to me."
While Blake Shelton's version of Gauthier's brutally honest "I Drink" is as close as she's ever gotten to the Nashville hit machine, her fourth album and first major release, Mercy Now, ended up on just about every relevant Best of 2005 list, and she was voted the AMA's New/Emerging Artist of the Year over a strong field that included local boy Hayes Carll. The Thibodaux, Louisiana, native finds a certain irony in the "New/ Emerging" label, since she's been singing since 1982 and releasing albums since 1997. It is typical of Gauthier that she deflects much of the credit for her amazing year.
"So many people have done so much to help me. Ray Wylie Hubbard, who introduced me to Gurf (producer Gurf Morlix), went out of his way to help me every way he could. Melanie Howard at Harlan Howard Publishing introduced me around Nashville and opened some doors for me. And there were wonderful people in Europe like Marianne Ebertowski spreading the word before I ever got any recognition in the U.S. Just so many kind people have helped me slowly build up over the years. People like Rusty and Teresa Andrews at the Mucky Duck, who've given me a place to play for years, gave me the time to build a little following in Houston. It's people like that who've nurtured my career, helped me along."
Her 1999 release Drag Queens and Limousines gave the first inkling of a serious talent beginning to rise, and critics began to catch on in 2002 with the release of Filth and Fire. But it was Nashville giant Harlan Howard's widow Melanie who pushed Gauthier's career up a notch. Howard brought Lost Highway head honcho Luke Lewis to a Gauthier performance at the Bluebird Cafe, and within the month Gauthier's Mercy Now had not only found a home, it had found one with deep pockets.
"Lost Highway has been wonderful for me. They never tell me, 'Wear this,' or 'Say that.' They got the record out there and pushed hard for me. Just very artist-friendly."
Labels and friends can only take an artist so far. It's Gauthier's lyrics and her matter-of-fact delivery that are her strongest assets.
"Since I signed with Harlan Howard Publishing, I've been studying his work a lot. He was just so concise and direct. It's been great to rummage through old notes and actually see how he worked a song, a little tweak here and there that meant everything to how the song finally turned out.
"I'm not a perspiration writer, I'm an inspiration writer. Some writers can just get up every day and go to work writing songs, but it's not like that for me. I admire people who do that well, but it's a slow process for me. I'm looking for something I don't understand yet or some part of me that I didn't know existed. I want to try to make sense of the world or maybe find the truth of what just happened. That kind of stuff requires a lot of thinking time because there's no quick, easy answer. I'm not what you might call a natural. I have to struggle with it."
One of Gauthier's few covers is Fred Eaglesmith's "Your Sister Cried."
"Those are the kinds of songs I'm talking about. If you ask Fred where that song came from, he'll say 'Oh, it's just about a wedding.' Who knows what the inspiration behind that song was? Whatever it was, it's one of those songs that has an almost infinite number of focal points. It can be really personal, just right up to the eye, but it can also be so far out there that it's almost universal. You don't always succeed, but those are the songs you try for. You can't do it every time, but you should try."