Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

White Demons

Say Go

Share

  • rss

By Niki D'Andrea

Published on January 10, 2007 at 10:47am

The guys in White Demons may occasionally wear eyeliner and tight jeans, but there is not a single song about a chick on this CD and not one stinky whiff of shitty emo. What we've got here instead is explosive, trashy, borderline-glam punk 'n' roll with shouted choruses and crisp, fiery guitar solos akin to AC/DC's hot licks. The album opens with "Spit on My Liver," a rawkin' New York Dolls-ish number in which front man Nick K. (who often sounds like Buckcherry singer Joshua Todd) belts out "Got the luxury of a halo/But I treat it like a stain." The lyrical wit continues on "It's All About the Rock," with lines like "You like the way I underachieve," and on "In the Flesh," which echoes the sentiments of Jet's "Rollover DJ" by asking, "When did the DJ become the band? / I'm living in the flesh connected." As if to prove the musical superiority of men over machines, the song opens with a powerful drum charge and a really dark, gritty guitar riff reminiscent of 1980s L.A. metal and ends in a blaze of muted, spacy guitar effects. Play that with a turntable, suckas.