Most Popular

Recent Articles

Recent Articles by Brian J. Barr

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

Neil Young

Live at Massey Hall 1971

By Brian J. Barr

Published on May 10, 2007

Recordings of this Toronto performance have been widely bootlegged over the years, but the official release is still essential because the sound is impeccable, lending a cavernous depth to Young's singing and playing. This can be attributed to the late David Briggs, Young's longtime producer, who also did the sound for the show.

Briggs tried to convince Young to release this set as the follow-up to 1970's After the Gold Rush. Although he failed, it's easy to understand Briggs's angle; these are dark, chilling numbers. Young's voice hits dramatic highs on “Tell Me Why” and “Cowgirl in the Sand,” while “A Man Needs a Maid” — amplified by an interlude of “Heart of Gold,” where he sounds adrift on a pitch-black sea — is Young at his most misanthropic.

Thanks to the bonus DVD, we can witness the mood Young set for the shows. Lit only by a single spotlight and surrounded by his army of acoustics, he looks as if he's performing in the middle of his own abyss. That's exactly the kind of mood Briggs always tried to drag out of him. — Brian J. Barr



Houston Press Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com