By Corey Deiterman
By William Michael Smith
By Jef With One F
By Craig Hlavaty
By Jesse Sendejas Jr.
By Sonya Harvey
By Jesse Sendejas Jr.
By Nathan Smith
The answer is that SoundExchange is looking for them in hopes of giving them royalties it has collected on their behalf. And if these people don't contact SoundExchange by June 30, SoundExchange gets to keep their money.
Okay, let's back up a bit. First, this SoundExchange is not the trippy little record store on the corner of Hazard and Richmond. This is the U.S. Copyright Office-approved quasi-official body that collects money for performances of recordings on digital cable and satellite TV, Webcasts, and satellite radio and then disburses a portion to artists. Originally a wing of the widely reviled Recording Industry Association of America, it became independent in 2003, although there are still members of the RIAA on the SoundExchange board.
Over the past seven years, SoundExchange has found and paid thousands of artists, but they have admitted they can't find about 25 percent of the people they have been looking for. Today, that number stands at more than 8,300 artists. I looked over the list and found a few names we can probably help them with: In addition to the names above, local and regional acts such as Barbara Lynn, Big Moe, Big Mike, Clay Blaker, Blind Willie Johnson, Fito Olivares, Clarence Hollimon, Goudie, Amos Milburn, Mark David Manders, Ted Daffan and His Texans, Mark May, Rigo Tovar, Roy Gaines, Sprawl and Trudy Lynn are also owed money.
Obviously, some of these people are deceased; in that case, SoundExchange is looking for their heirs. And please note that the list is very long all I had time to do was skim it, so I probably missed some. (Check yourself at http://126.96.36.199/jsp/unpaid ArtistList.jsp.) Latin bands are especially numerous any of you with expertise in that area should go over the list carefully, because I don't know how strong SoundExchange's Spanish outreach program is. If you are one of the people I already mentioned, go to www.soundexchange.com/members/become_member.html for a step-by-step on how to collect.
Now, there's no small potential for mischief here. When an agency gets to keep the money it is supposed to be doling out to people it is responsible for finding, it is easy to detect at least a possible conflict of interest. And yeah, finding just about every working musician in America, or their heirs, is a daunting task, but it must be said that one wonders how hard SoundExchange has truly sought some of these people.
For example, in less than five minutes of Googling, I found the official Web sites and/or MySpace pages of Fito Olivares, Goudie, Mark May, the Hollisters and Los Skarnales. What's more, highly visible people like Cam'ron (fresh off a highly-publicized appearance on 60 Minutes), Fat Joe and Danzig are on the “lost” list too.
SoundExchange has said that they have actually found many of the 8,000-plus artists on the lost list, but that many of them have simply failed to send in their paperwork. And indeed that seems to be the case with Los Skarnales Nick Gaitan, the band's former bassist, told me that he had neglected to mail in the forms. Gaitan was not aware, though, that if he didn't get on the ball, the band would lose that money forever. I suspect that he is not alone. In a lifetime of hanging around musicians, it has not often been my experience that many of them turn up their noses at free money.
Meanwhile, SoundExhange is also one of the principal forces behind the drive to multiply the royalty rate that Internet radio stations must pay. Late last March, the panel of three Washington, D.C., judges called the Copyright Review Board that is empowered to set royalty rates for copyrighted materials simply rubberstamped the exorbitant rate increase proposed by SoundExchange.
And what an increase it is. In fact, if enacted, it would likely drive every Webcaster in America out of business almost immediately, if not sooner.
Local terrestrial radio veteran and Net radio newbie Dave E. Crockett felt forced to take the most drastic of steps. “We were running a station called DXSRadio.com and I pulled it off the air about a week and a half ago because of the proposed plans,” he says. “They were going to make these fees retroactive back to 2006. And the way they wanted to do this was charge every Webcaster per listener, per song. So if you have a thousand people listening and you're playing ‘Blue Eyes Crying in the Rain,' you have to pay for that song a thousand times.
“Listen, this is Internet radio, and we are charging about three or four dollars to advertise,” he continues. “You can understand that if you are paying for a song a thousand times, and you're playing 12 songs an hour, and you have a thousand listeners in that hour, three dollars isn't gonna cover it.”
Here's how the math broke down for the now-defunct DXSRadio. The proposed retroactive rate for 2006 looks infinitesimal just $.0008 for each song per listener. But multiply that by 1000 listeners, and you get 80 cents. Still looks cheap, right? But multiply that by 12 songs per hour and you get $9.60. Crockett's cheap rates would mean a deficit of six or seven bucks per hour, which adds up to more than $50,000 for 2006, which would come due on July 15 of this year.
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