Funny Business: Playing with Boys

Being a female comic can be tougher than you think

Sarah Tollemache is onstage at the Laff Stop open mike. It's March, but she's wearing a long-sleeved hoodie; last week she wore a thick sweater. Tollemache says she has done this for years, ever since another comedian made a comment to her before she took the stage.

Sarah Tollemache makes her jokes wrapped in protective clothing.
Photos by Daniel Kramer
Sarah Tollemache makes her jokes wrapped in protective clothing.

"[I] go up to open mike, wearing [a] T-shirt and not realizing, and he's like, 'Whoa, somebody's headlights are on,'" Tollemache says. "Now it's been my fear and I'll wear a jacket onstage, because I'm always worried that some guy in the audience will be like, 'Hey bitch, your headlights are showing.'"

Remarks like this are commonplace in the comedy business. Because some of Tollemache's material is a little dirty, some guys think anything goes.

After another set at open mike years ago, a male comedian came up to her and said, "'You're pretty good; I see potential in you. You know, Jane Curtain, apparently she slept her way to the top' — without even skipping a beat, [he] just went straight into that," she says.

If a female comic can get past the notion that many people have that women telling jokes aren't funny, they still have some special negotiations to make in the business.

Over-appreciative Fans

Mark Babbit, a well-known former comedy club owner in Houston, said he always was more protective of women comics.

"Whenever I had a woman onstage and she was popular, I always made sure when she came off, I was there. To make sure that nothing happened — I kept an eye out for them."

He points to a particular time when Janeane Garofalo was at the Laff Stop.

"I said, 'Janeane, let's get upstairs before the crowd comes,' and she says, 'No, no. I'm fine, I'm fine.'" He says the crowd started surrounding her and so he stepped in and led her away. "She grabbed my arm."

"We had a quite a few women on the road; some of them you didn't have to worry about. Kathleen Madigan could handle herself most of the time, but women who are diminutive or not really aggressive, you have to watch out for them."

Camping Out With the Boys

Housing arrangements can also present a special problem for female comics on tour. Most comedy clubs have a condo or a house for touring comedians, and since there are so few females, the lone woman often ends up with a male roommate.

"There are certain logistics to it that it's just not suited [for women]," says Rob Mongol, a local comedian who has toured nationally. "When I first started out, I could go take a bullshit one-nighter, staying in condo with some guy I just met.

"If you're a 22-year-old girl and you're going to go out to Fayetteville, Arkansas, for three days and live in a house with some guy you don't even know? I mean, if I was a girl I wouldn't do that. I know most comics are degenerate assholes. Why would you want to live with one you just met for three days? God knows what would happen."

Or as Tollemache put it:

"I don't to be in a condo where a bunch of guy comics [stay] that talk about whacking off all the time. I know those condos aren't really cleaned all the time. I'm sure if you put a black light over the room, there would be, like, DNA all over."

That aspect of the touring comic's life was one reason Dianne Cupps decided stand-up wasn't going to be in her future and she would restrict herself to improv with Paul Oddo's group, The Greatest Thing in the History of the World.

"When I first started, I totally thought I want to do this all the way," Cupps, a 29-year-old graphic designer, says. But when she found out that once on the road women are roomed with other comics, usually male, she paused.

"I was like, wait, that would be my life? I'm sorry, I'm still a girl and that would be completely uncomfortable. I was just like, 'Honestly, Dianne, are you going to try to take that path of being a road comic and sleeping in dirty hotels and drinking every night?' I just can't do that."

But 39-year-old Kristen Linder says going on the road is not a problem. A mother who lives in Conroe with her husband and kids, her day job is as a sales manager for a credit card company. She goes on the road on weekends.

And she says she has never had trouble. "I haven't had any bad experiences with that or anything. It's always a concern of my husband's and it's always a little bit weird."

She says most male comics are very understanding of her situation and more often than not accommodate her. Headliners have given up their hotel rooms so Linder didn't have to share with another male opener, and whenever she has stayed in condo, the other male comic lets her have the room that's connected to a bathroom so she doesn't have to walk around in a towel.

1 | 2 | Next Page >>
 
  • Slim Bloodworth 05/30/2007 3:11:00 PM

    I started out in the Houston comedy scene in 1999. Back then , and for several years to follow, Houston had a very nurturing and highly productive open mic as well as several showcase shows for young comics to work out in. All the clubs offered guest spots and some comics even set up several open mics at various venues all over town. We worked, we would go out to every open mic, take any guest spot we were offered and fought for spots in showcases in any club. That has died off though. Most comics will go to an open mic and not go up, they just sit somewhere in a back room and yak on about other things with other "comics". They no longer support eachother, they don't go up, they don't go out with other comics and watch eachother or write with eachother... It dies because they let it. I've been touring out on the road for 5 years going on 6 now. I started out small, like all of us do. First as an opener, then working my way in the middle (feature) and now I headline most gigs on the road... One nighters and clubs alike. I have stayed in condos, hotels, ratty apartments, shit dives and sofas... With male comics and female comics. Being a female in general out running the road puts me at a different level of risk: however, I have never had any problems with male comics... Ever. In fact, when I'm out on the road I get more work done than when I'm sitting on my ass at an open mic with a bunch of whiney wannacomics. The road will make or break you as a comic. I encounter comics out on the road who are there because they know it's going to make them a stronger act. They are building a fan base... Even in some "shit hole" in Oklahoma there is someone who will see a comic and say "Damn, I'd love to see that comic again..." You can never judge an audiance by the appearaance of the club or the town or even the appearance of the audiance. An audiance will more often than not suprise you. A lot of times comics who have worked together in the past will cross paths again somewhere in a different town and "road dogs" have a knack for helping eachotehr anyway we can. We'll trade contacts, share info, write, and in some cases drop references and open doors for each other. I have had audiance members come for miles around because they saw me in their town once and now they seek me out. They are willing to drive 1-3 hours out of their way just to watch me again. How can you create that if you don't go out on the road and work? Comics will healp each other, but you have to be out there when the comics are working, moving around and networking. Ron White was a road dogs for decades before he hit big. Ron is one of the most connected comics and popular comics working today and you know what he does? He pops into local open mics, gets references and watches, he does time and he ADDS COMICS TO HIS SHOWS from what he gains. Some write for him, some work with him and he rotates them out. How can you become a part of that if you're sitting in the back room running your mouth when the important stuff is going on elsewhere? Be where things are happening, make things happen by creating a place, an event, SOMETHING, and support those things! Then go ON THE ROAD. NETWORK! As a comic you need to find out what it is that you want from your career. This is an art and there are some many ways to be a part of it. If you want to be the big fish in one town... The stay in your back room of your one club and run your mouth o the rest f the click. Someone will replace you eventually. Every town has a back room full of local celebs. But if you want to really get somewhere and succeed, get on the road, pay your dues, netwok, write and gain the experiance that comes from that. Otherwise, get out of my way... I'm coming through. Now, someone do a grammar/spelling edit for me. I type for shit and I'm busy. -Slim Bloodworth

 

Most Popular Stories

Browse Voice Nation
  • Voice Places

    Voice Places

    Discover restaurants, nightlife, travel, shopping...

  • VOICE Daily Deals

    VOICE Daily Deals

    Get 50 to 90% off every day on restaurants, movies, massages...

  • Best Of

    Best Of...

    More than 10,000 of the BEST things to eat, drink, and experience

  • My Voice Nation

    My Voice Nation

    Join the Village Voice community and get exclusive deals and info

  • Happy Hour

    Happy Hour

    Your local Happy Hour guide at your fingertips

or

Log in or Sign up

Social Connect:

Use your favorite account to access My Voice Nation.


Use your My Voice Nation account to log in:





Forgot password?
or

Sign Up or Log in

Social Connect:

Sign up for My Voice Nation with your preferred network.


Sign up for a My Voice Nation account:



Privacy policy