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Recent Articles
Recent Articles by Bob Ruggiero
All aboard for the blood-and-guts buffet
City Councilwoman (and ex-tribal member) Jolanda "Jo" Jones heads up a local, one-day version of the hit television series
See Houston's massive colony of Mexican free-tailed bats
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SF Weekly
You won't believe the California wine industry's latest new-age craze.
By Joe Eskenazi
Westword
They lived for excitement, but the FBI got the final thrill.
By Joel Warner
Seattle Weekly
Chuck Bundrant built an unlikely seafood empire--with a little help from Alaska Senator Ted Stevens.
By Laura Onstot
Village Voice
How a benevolent billionaire mayor ended up owning us all.
By Wayne Barrett
Detroit Cobras, Willowz
concert preview
Published on August 08, 2007 at 9:24am
Garage rock, whether the vintage or contemporary strain, is mostly a boys' club, a testosterone-fueled rave-up of vocal wails and crazy guitar runs. But the ladies dig the sound as well and can play it. You might not want to bring singer Rachel Nagy and guitarist Mary Ramirez of Motown's Detroit Cobras home to mom, but new '60s covers album Tied & True sounds like they're more than ready for a good time. Instead of rehashing Nuggets yet again, the Cobras dig deep into stuff oldies radio would never touch: sterling R&B by writers like Jerry Ragovoy and Little Willie John. Although Nagy's distinctive voice is hit-and-miss with their original material, here she impressively runs the gamut between slinky and raucous. Anaheim's Willowz have only one lady in the lineup bassist/vocalist Jessica Reynoza but their fuzzy psychedelia is fresh and accessible. Though it's not where their strengths lie, Willowz veers into slower, more bluesy epic balladry on new album Chautauqua, with vocalist/guitarist Richie James Follin's high-ranged voice recalling a combination of Skip James and Jack White. An interesting double bill of grime and sunshine.