Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Ingmar Bergman

Don’t fear the Reaper, challenge him to a game of chess

Share

  • rss

By Dusti Rhodes

Published on August 16, 2007 at 1:42am

After years of fighting in the Crusades, the knight in Ingmar Bergman’s The Seventh Seal returns to his plague-ridden country to find death has been waiting on him. To kill time before his demise, the knight challenges the reaper to a game of chess. The game takes the knight on a series of dreamlike journeys in which he’s reunited with his wife and other characters. Scenes such as a witch burning, complete with clergymen caught up in the hate, prompt the knight to question his belief in God and religion. Although Bergman had been making movies for ten years before directing The Seventh Seal in 1957, this one is the reason the recently deceased movie master became a household name. The Museum of Fine Arts, Houston is showing the film, along with Bergman’s Wild Strawberries, to honor his contribution to cinema.
Sat., Aug. 18, 7 p.m.; Sun., Aug. 19, 7 p.m.