Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

  • Dive Bars
    A handcrafted tour of the best, most obscure places to lean on a stool in Houston.
  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • Houston's Choice for Mayor
    Black Guy, Rich White Guy, Lesbian or Hispanic Republican
  • Burgers and Hash
    Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
Most Popular sponsored by

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

The Passenger

MFAH caps off film series with a little Jack

Share

  • rss

By JAMES DAVIS

Published on October 03, 2007 at 1:41am

Before Jack Nicholson began starring in roles opposite Adam Sandler, he was the face of such auteurist ‘70s films as Roman Polanski’s Chinatown and Michelangelo Antonioni’s The Passenger, which the Museum of Fine Arts, Houston has selected as the swan song of its Antonioni retrospective film series. Like last year’s tribute to Fellini, Homage to Antonioni has made Houston one of only a handful of U.S. locations in its tour. Those who missed La Notte or L’Avventura earlier in the series need not despair: The Passenger combines old-world refinement and American sensibility in quintessentially Antonioni-esque proportions. And the chance to see pre-schlub Nicholson is always worth a go.
Fri., Oct. 5, 7 p.m.; Sun., Oct. 7, 7 p.m., 2007