Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Siouxsie, Mantaray

CD Review

Share

  • rss

By Chris Gray

Published on October 02, 2007 at 2:59pm

God, it's good to have Siouxsie back. Not that she really went anywhere; since dissolving the Banshees after 1995's Rapture, the Goth goddess has recorded and toured with former side project Creatures, re-formed the Banshees for a spell and now — peekaboo! — released her first proper solo album. Sassy, sophisticated pop, Mantaray slinks around the fringes of Siouxsie's catalog and struts onto the dance floor for the marimba-laced "Loveless" and ­electro-rocker "About to Happen." "They Follow You" has more than a hint of "Kiss Them for Me," but the rest of Mantaray moves to the chill-out room, sometimes too much so. Siouxsie's critique of consumerism, "Drone Zone," has a little trouble finding a pulse, and buzzy Bo Diddley beat "One Mile Below" just sort of hovers in place. But "If It Doesn't Kill You" is a postmodern torch song like Portishead in their prime; Siouxsie, her voice both cautionary and enticing, could show Amy Winehouse a thing or two. Speaking of, the brassy, John Barry-like swing of "Here Comes That Day" makes it hard to believe Ms. Sioux hasn't been tapped to record a James Bond theme. Chris Cornell? Sheryl Crow? Please. With Bond 22 now in the works, someone sign Siouxsie up.