On the way out, take a close look at "Valencia Dulcinea del Taboso." Dulcinea was the object of Quixote's love, and here she's represented by a bulbous female form. But what's that tiny picture plastered to her breast? It's a miniature "Censorship," maybe the most overt reference to DiverseWorks in McGee's exhibit, and it's sweet. It's proof that while DiverseWorks has grown as an organization and ballooned in reputation (like Quixote himself), it hasn't lost sight of its dreams.
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