Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

“Painting or Object?”

Gallery Sonja Roesch asks, “What is it?”

Share

  • rss

By Olivia Flores Alvarez

Published on November 07, 2007 at 1:41am

Categorizing contemporary art can be a tricky proposition. What if a painting isn’t flat or framed, but three-dimensional — is it still just a painting? What if a sculptural object is painted — is it still just an object? Or has it crossed over into some non-object/quasi-painting territory? Gallery Sonja Roesch’s “Painting or Object?” exhibit asks that very question.

“For painting, color is very important; for the object, it’s form. So what happens when each position is equally presented? Then the viewer has a choice,” says gallery owner Sonja Roesch.

“Painting or Object?” features the work of Garland Fielder, Mick Johnson, Josef Adam Moser and Dirk Rathke. Fielder constructed three-dimensional box frames, then cut off one side. He mounted the cut frames to the wall and completed the missing lines with paint, giving the viewer a partial object with some painting.

Rathke’s work is equally challenging. He presents what at first glance looks like a painting, but upon further inspection, the viewer discovers that Rathke has painted on a three-to-four-inch concave form, not a flat canvas. Hmm, is it a really thick canvas, or has it now become an object?

“It’s really fun to explore these boundaries,” says Roesch. “It’s all about your perception. It’s really open, it’s for each of us different.” So, painting? Object? What’s the verdict? Don’t expect Roesch’s artists to give you any easy answers. “Art always raises questions; it never gives any answers,” she laughs. If you find any answers, let us know, will ya? 11 a.m. to 6 p.m. Tuesdays to Saturdays. 2309 Caroline. For information, call 713-659-5424 or visit www.gallerysonjaroesch.com. Free.
Tuesdays-Saturdays, 11 a.m.-6 p.m. Starts: Nov. 3. Continues through Dec. 15, 2007