Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Houston's Choice for Mayor
    Black Guy, Rich White Guy, Lesbian or Hispanic Republican
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • Burgers and Hash
    Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Zappa Plays Zappa

Share

  • rss

By Darryl Smyers

Published on November 06, 2007 at 1:51pm

Dweezil Zappa can't stop talking about his late father. "Frank's music just needs to be heard," he says. Alongside brother Ahmet and several of Frank's former sidemen, Dweezil now re-creates his dad's music on the Zappa Plays Zappa tour, featuring material from the elder Zappa's mid-'70s heyday. "People tell me that the show made them feel like they were back in high school, like it was a time machine," Dweezil says. Since forming Zappa Plays Zappa last year, Dweezil has gone to great lengths to expose his father's compositions as a kind of panacea for the malaise infecting the current popular music scene. "Frank came in an era before all of the corporate madness became a part of the entertainment business," he says. "In my father's era, it was possible for an artist to do new and different things, [and] that stopped happening when things were corporatized." Even Frank's "hits" like "Don't Eat the Yellow Snow," "Valley Girl" and "Dancing Fool" were contemptuous jabs at popular society, and by fusing amazing instrumental dexterity with a truly perverted sense of humor, he remains a singular figure in American music. Dweezil, naturally, is his biggest cheerleader: "I don't have to say anything about Frank's music 'cause it speaks for itself."