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Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
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Houston's Choice for Mayor
Black Guy, Rich White Guy, Lesbian or Hispanic Republican
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Burgers and Hash
Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
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Killen's Steakhouse in suburban Pearland is probably best during boom times.
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BBQ Buffet
Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
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Looking for a Bull Market
Killen's Steakhouse in suburban Pearland is probably best during boom times.
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Dive Bars
A handcrafted tour of the best, most obscure places to lean on a stool in Houston.
-
Burgers and Hash
Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
-
Houston's Choice for Mayor
Black Guy, Rich White Guy, Lesbian or Hispanic Republican
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Texas Sapphires
Published on November 27, 2007 at 4:06pm
With last year's debut, Valley So Steep (Lowe Farm), the Texas Sapphires hit honky-tonk gold, polishing a classic Bakersfield sound with a contemporary edge and garnering Best New Band honors at the Austin Music Awards. Fueled by the paired vocals of Billy Brent Malkus and Rebecca Lucille Cannon, the quintet's ballads of losers and boozers reflect the punk backgrounds of both singers — Malkus emerging from Baltimore's hardcore scene and Cannon formerly fronting Austin pop-punks Sincola — while the steel- and dobro-braced tunes mine their deeper, more authentic, country roots. The group's follow-up, Roadhouse Gems (Stag), presents the Sapphires at their best in a live set recorded at famous San Antonio-area dance hall John T. Floore's Country Store. While the production is a consciously lo-fi, bootleg affair, the 19 tracks more than compensate, with Valley favorites like "Bring Out the Bible (We Ain't Got a Prayer)" and "Barstow Barstool" balanced with a slew of covers, from Buck Owens's "Under Your Spell Again" and Merle Haggard's "Tonight the Bottle Let Me Down" to Hazel Dickens's "You'll Get No More of Me." Best of all is the closing banjo throwdown of "How Those Mountain Girls Can Love." Gems offers some rough cuts, but the material is still priceless.
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