Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Various Artists: Juno: Music from the Motion Picture

Share

  • rss

By Michael Roberts

Published on January 29, 2008 at 2:20pm

Too many movie tie-in collections put profits before cohesion. Tunes by widely disparate performers, most of whom just happen to record for companies affiliated with the film studio, wind up being tossed together willy-nilly in the hope that one of them will stick, thereby inducing fans to purchase all the other crap. In contrast, the best soundtracks enhance the flicks from which they spring even as they make a statement of their own. Current Best Picture nominee Juno's CD companion more than accomplishes this goal. Onscreen, singer-­songwriter Kimya Dawson's voice serves as a sort of Greek chorus for lead character Juno McGuff, the funniest pregnant teen in cinema history, a tack that also works on disc. Dawson figures in eight songs, including solo curios like "Loose Lips" and beauties from her days with Moldy Peaches and Antsy Pants. Moreover, charming and/or creepy cuts by everyone from Buddy Holly and the Velvet Underground to Belle & Sebastian and Cat Power echo the protagonist's sensibility, even though many were recorded decades apart. The result deserves two thumbs up.