Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Joe Lally, Edie Sedgwich

Share

  • rss

By Nicholas L. Hall

Published on February 20, 2008 at 10:32am

Former Fugazi bassist Joe Lally has been both blessed and cursed by working with Ian MacKaye. Anytime you can collaborate with a musician of MacKaye's stature, you wind up better for it; the problem is, you also tend to get a bit overshadowed. That's what happened to Lally. A talented musician and songwriter, Lally has been a central figure in multiple projects before, during and after his active role with Mac­Kaye in Fugazi. He even ran his own label, Tolotta, from 1998 to 2002, breaking critically acclaimed bands like Dead Meadow during its four-year run. Two solo records, at least four other groups and collaborations, and a successful (if transient) record label, and still he plays second fiddle. Such are the perils of greatness, and of attaching oneself to it. These days, Lally is on the road, revealing an extremely interesting musical restraint. Most of the arrangements from 2007's Nothing Is Underrated feature little more than Lally's bass and voice, with minimal percussion and guitar highlights. On the U.S. leg of his world tour, Lally is accompanied by transgendered electroclash wizard Edie Sedgwick, whose bizarre blend of politics, cheap beats and bad drag outfits comes together to form an arresting amalgam of bizarreness. Edie herself puts it best: "Le Tigre meets Black Flag for an irony-free dance party with a tranny Milton Berle as MC!" — Nicholas L. Hall