Would Morrissey Approve

Michael Rubenstein

San Antonians Girl in a Coma may come from a humdrum town, but they don't let it get them down.

Details

Girl in a Coma performs Friday, May 2, at Fitzgerald's, 2706 White Oak. Call 713-862-3838 for more info.

Related Content

• Christmas Crunch Time: Five (Kind Of) Shopping (And Thieving) Related Songs
  December 14, 2011
• Forget St. Elmo's Fire: Five Better Tim Tebow Remakes (From Slayer, Adele & Eric Clapton)
  January 13, 2012
• The 25 Most Influential Bands Of The '90s
  May 27, 2011
• Father Figures: 100 Famous Musicians' Paternal Professions
  September 28, 2011
• You're a Naughty One, Saucy Jack: A Playlist for Jack the Ripper
  November 9, 2011

More About

• Morrissey (Singer)
• The Smiths (Musical Group)
• Joan Jett
• Pretty Girls Make Graves
• Panic! At the Disco

Girl in a Coma is an all-female trio from San Antonio whose 2007 album Both Before I'm Gone is pleasingly versatile. "Their Cell" resembles the swirling pop of Cocteau Twins, while "Clumsy Sky" begins like a Cat Power lullaby before morph­ing into a My Chemical Romance-esque rocker — which makes sense, considering that Joan Jett personally asked them to be on her record label, Blackheart.

Jett's not Girl in a Coma's only famous fan, though. The band was hand-picked by Morrissey himself to open some shows — so he obviously approves that its name comes from the Smiths' "Girlfriend in a Coma." But what would Moz think of other bands borrowing his words for their monikers? An examination:

Vaux

Refers to: Vauxhall & I, Morrissey's 1994 solo album

Sound: A gnarled, interesting amalgamation of electro-prog and supersonic screamo. Think Blood Brothers and other erudite metallic outfits.

Would Morrissey approve? No. Too loud and nonlinear for Moz's hook-loving pop sensibilities.

Suede

Refers to: Morrissey's solo hit "Suedehead­"

Sound: A mix of androgynous glam, fey romantic longing and crunchy glitter-riffs; cf. David Bowie, T. Rex, Roxy Music.

Would Morrissey approve? Duh. He even covered Suede's "My Insatiable One," the highest honor one can receive from the King of Mope.

Panic at the Disco

Refers to: A conflation of the title and lyrics ("Burn down the disco!") taken from the Smiths song "Panic" (apparently; other sources claim the band's name comes from a song by Name Taken).

Sound: Over-the-top emo rock that's influenced by Fall Out Boy's grandi­osity and whirligig riffs (and, lately, the ­Beatles).

Would Morrissey approve? Probably not, as Mozzer always needs to be the most dramatic person in the room — and Panic at the Disco's collective angst is blinding.

Shakespear's Sister

Refers to: Smiths' "Shakespeare's ­Sister"

Sounds Like: After leaving kicky new-wave girl-group Bananarama, Siobhan Fahey embraced her inner goth with this poppy dramatic duo, whose hits ranged from orchestral glamour ("Stay") to Cure-lite ("I Don't Care").

Would Morrissey approve? Totally. Shakespear's Sister nails the velvet-swathed dark-vamp aesthetic and owes quite a debt to Siouxsie Sioux — Moz's duet partner on the '90s rarity "Interlude."

Pretty Girls Make Graves

Refers to: A song of the same name found on the Smiths' 1984 self-titled debut LP

Sound: Post-hardcore throttling and melodic pop driven by Andrea Zollo's siren-like vocal bittersweets.

Would Morrissey approve? Yes. Closest in sound to Girl in a Coma, PGMG's calls-to-arms were urgent without being histrionic.