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National Features

  • Broward-Palm Beach New Times
    Last Step to Redemption

    Drug counselor Richard Entrekin swam a little too easily in a sea of sharks.

    By Amy Guthrie
  • Village Voice
    The Cro-Mag Diaries

    Remembering the brutal life and times of John "Bloodclot" Joseph, New York hardcore icon.

    By Rob Harvilla
  • Seattle Weekly
    Being Gary Busey

    Everybody thinks Jeff Swanson is somebody famous. And he does nothing to dissuade them of the notion.

    By Aimee Curl
  • SF Weekly
    Party Crashers

    If you think Ralph Nader won't screw the Democrats again, you're not paying attention.

    By John Geluardi

Folk-flavored Seattle trio The Cave Singers feature bassist Derek Fudesco (also of Murder City Devils and Pretty Girls Make Graves) and Peter Quirk, the gloomy frontman of post-punkers Hint Hint. At times, the Cave Singers' rootsy, haunted sound suggests a more Celtic-minded 16 Horsepower, more Pete Seeger than Peter ­Murphy.

While TCS boasts a higher profile thanks to pedigree and label (Matador), Dark Meat is more impressive, if only by virtue of their numbers. The 18-member­ Athens, Georgia, outfit forges a ramshackle acid-folk-punk squall reminiscent of early Flaming Lips, with a meandering pulse juiced by brass, odd blasts of free jazz cacophony and deep-fried Allman-esque boogie. Like a Tex-Mex combo plate with the beans, rice, guacamole and enchiladas mingling in the middle, Dark Meat's multi­textured sound verges on chaos, barely held at bay by the band's rollicking good-time attitude.

Frontman Jim McHugh — a fan of the 13th Floor Elevators — believes in the power and spectacle of so many people making music together. "These days, who fucking cares if you can play your guitar like an ace?" McHugh asks. "We're past the point where rock bands are going to make a really important impression. I'm not talking about market niches, I'm talking about changing people's lives."

A little ambition in music is refreshing, isn't it?

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