Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Alice Neel

An intimate gaze at a painter known for intimate gazes

Share

  • rss

By Nick Keppler

Published on June 18, 2008 at 1:42am

Painter Alice Neel was known for her “inner landscapes,” portraits that reflected the hearts of her subjects in mood and background. Examples include a portrait of art historian Meyer Schapiro with a debonair look and a grayed face; one of “land art”-maker Robert Smithson, with a contemplative gaze and surrounded by the kind of swirls that defined his work; and one of eccentric writer Joe Gould, with several penises bursting out of him (yes, really).

Twenty years after Neel’s death, her grandson, Andrew Neel, peered into her psyche, and the result is the documentary Alice Neel, screening today at the Museum of Fine Arts, Houston. Neel lived an interesting life, before and after she became a prominent fixture in New York City art circles. She was a patient at a sanitarium for the mentally ill, a blacklisted communist and a feminist icon — all in addition to the whole painting thing. 8 p.m. 1001 Bissonnet. For information, call 713-639-7515 or visit www.mfah.org/film. $6 to $7.
Sat., June 21, 7 p.m.; Sun., June 22, 7 p.m.; Sat., June 28, 7 p.m.; Sun., June 29, 7 p.m., 2008