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Getting Off
Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
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City of Coffee
Is Houston about to become America's coffee capital?
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Houston's Choice for Mayor
Black Guy, Rich White Guy, Lesbian or Hispanic Republican
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Looking for a Bull Market
Killen's Steakhouse in suburban Pearland is probably best during boom times.
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Burgers and Hash
Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
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BBQ Buffet
Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
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Getting Off
Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
-
Looking for a Bull Market
Killen's Steakhouse in suburban Pearland is probably best during boom times.
-
Burgers and Hash
Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
-
Down the Rabbit Hole
Lose yourself discovering Michael Bise's work at Moody Gallery.
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National Features >
City PagesYou don't need to read Sarah Palin's book to hear the ravings of a mad woman. By Matt SnydersMiami New TimesThe rise and fall of a chubby sex-cult leader. By Natalie O'NeillRiverfront TimesTom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel. By Nicholas Phillips
Mike Stinson
Published on July 08, 2008 at 12:54pm
Dwight Yoakam, who cut Mike Stinson's "Late Great Golden State" on 2003's Population Me, isn't the only country singer to realize Stinson may be the best writer of stone-cold honky-tonk songs on the planet today. Jesse Dayton, no slouch as a honky-tonk writer himself, is producing Stinson's next album. "The guy is like Roger Miller, just the wittiest writer out there right now," Dayton says. "I just played a show with Dave Alvin, and Mike stole the show from us." Fresh from his sessions with Dayton in Austin, Stinson comes armed with a new batch of songs with can't-miss titles like "I've Got No One to Drink With Anymore," the Ray Price-ish "Other Side of the Blues," the sentimental "I'd Make It This Time" and smash-in-waiting "Square With the World." When he sings "square with the world, that's how I wanna live, only take what I need and give what I can give," his Dust Bowl voice makes it almost sound like a lost Merle Haggard hit. And when Stinson originals like "Tomorrow's Gonna Hurt" or "Take Out the Trash" aren't making audiences cry in their beer, he'll pull out an old Chuck Berry rocker and set the stage on fire. A mainstay of the L.A. country and singer-songwriter scenes, Stinson doesn't come this way often, so for any fan of great writing and honest delivery, this is not to be missed.
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