Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Houston's Choice for Mayor
    Black Guy, Rich White Guy, Lesbian or Hispanic Republican
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • Burgers and Hash
    Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Mike Stinson

Share

  • rss

By William Michael Smith

Published on July 08, 2008 at 12:54pm

Dwight Yoakam, who cut Mike Stinson's "Late Great Golden State" on 2003's Population Me, isn't the only country singer to realize Stinson may be the best writer of stone-cold honky-tonk songs on the planet today. Jesse Dayton, no slouch as a honky-tonk writer himself, is producing Stinson's next album. "The guy is like Roger Miller, just the wittiest writer out there right now," Dayton says. "I just played a show with Dave Alvin, and Mike stole the show from us." Fresh from his sessions with Dayton in Austin, Stinson comes armed with a new batch of songs with can't-miss titles like "I've Got No One to Drink With Anymore," the Ray Price-ish "Other Side of the Blues," the sentimental "I'd Make It This Time" and smash-in-waiting "Square With the World." When he sings "square with the world, that's how I wanna live, only take what I need and give what I can give," his Dust Bowl voice makes it almost sound like a lost Merle Haggard hit. And when Stinson originals like "Tomorrow's Gonna Hurt" or "Take Out the Trash" aren't making audiences cry in their beer, he'll pull out an old Chuck Berry rocker and set the stage on fire. A mainstay of the L.A. country and singer-songwriter scenes, Stinson doesn't come this way often, so for any fan of great writing and honest delivery, this is not to be missed.