Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Flounder Fish & Chips
    A new Kata Robata on Kirby offers stellar fish and lots of attitude.
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Xiu Xiu

Share

  • rss

By Christian Schaeffer

Published on August 19, 2008 at 12:04pm

While major-label bands can always look forward to the career-spanning ­greatest-hits cash-in, bands that labor in the upper limits of indie-dom have their own brass ring to reach for: the remix album. Emo/art-rock band Xiu Xiu was so honored with last year's Remixed and Covered, which found artists like Kid606, Devendra Banhart and Marissa Nadler all reworking the San Francisco trio's fragile, loaded songs. Xiu Xiu is perfectly suited for this kind of treatment, because its minimalist electro glitches and spare guitars leave plenty of room for deconstruction and reinterpretation. Jamie Stewart's vocals remain claustrophobic, coy and utterly beguiling on this year's Women as Lovers, though dizzying rhythmic clusters and sideways noise bursts push the intensity ever higher. A relatively faithful cover of David Bowie & Queen's "Under Pressure" acts as a release valve at the album's midpoint, as Stewart and Swans mastermind Michael Gira let loose their inner Bowie and Freddie Mercury.